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Describes Murdoch as preoccupied with love, art, & the possibility & difficulty of doing good & avoiding evil.
Studie over het werk van de Ierse schrijfster (1919- )
A HISTORY AND CRITIQUE OF THE WRITINGS OF IRIS MURDOCH.
In this 1976 study, A. S. Byatt examines Murdoch's fiction and main philosophical ideas, relating the two and providing the reader with illuminating insights into the larger dimensions of the novels.
Dame Iris Murdoch has played a major role in English life and letter for nearly half a century. As A.S. Byatt notes, she is absolutely central to our culture. As a novelist, as a thinker, and as a private individual, her life has significance for our age. There is a recognizable Murdoch world, and the adjective Murdochian has entered the language to describe situations where a small group of people interract intricately and strangely.
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Dooley provides background information for each of the interviews, along with a thorough index.
Iris Murdoch was both a popular and intellectually serious novelist, whose writing life spanned the latter half of the twentieth century. A proudly Anglo-Irish writer who produced twenty-six best-selling novels, she was also a respected philosopher, a theological thinker and an outspoken public intellectual. This thematically based study outlines the overarching themes that characterise her fiction decade by decade, explores her unique role as a British philosopher-novelist, explains the paradoxical nature of her outspoken atheism and highlights the neglected aesthetic aspect of her fiction, which innovatively extended the boundaries of realist fiction. While Iris Murdoch is acknowledged here as a writer who vividly evokes the zeitgeist of the late twentieth century, she is also presented as a figure whose unconventional life and complex presentation of gender and psychology has immense resonance for twenty-first-century readers.
A brilliant, controversial and insightful biography. Fifteen years ago, Iris Murdoch asked A. N. Wilson to be her biographer. This book is a tribute to the novelist he knew for thirty years. This is not Iris Murdoch the Alzheimer's patient, but Iris Murdoch the witty conversationalist, the emotional chaotic and, above all, the writer. Both sad and farcical, this completely personal attempt to set the record straight gives us back the fiercely intelligent novelist and professional philosopher, and will cause amusement as it ruffles feathers.
This study looks at the comic dimension and ironic tone of Iris Murdoch's work and argues that these elements are as important to an understanding of her novels as is her use of mythic patterns and philosophical ideas.