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Harriet is leaving her boyfriend Claude, “the French rat.” That at least is how Harriet sees things, even if it’s Claude who has just asked Harriet to leave his Greenwich Village apartment. Well, one way or another she has no intention of leaving. To the contrary, she will stay and exact revenge—or would have if Claude had not had her unceremoniously evicted. Still, though moved out, Harriet is not about to move on. Not in any way. Girlfriends circle around to patronize and advise, but Harriet only takes offense, and it’s easy to understand why. Because mad and maddening as she may be, Harriet sees past the polite platitudes that everyone else is content to spout and live by. She is an unblinkered, unbuttoned, unrelenting, and above all bitingly funny prophetess of all that is wrong with women’s lives and hearts—until, in a surprise twist, she finds a savior in a dark room at the Chelsea Hotel.
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As hard as Iris Urrey Blue tried, she could not hide from Him. Pursuing her every step of the way, in and out of prison, in the middle of heroin highs and robberies, was her Creator, who in eternity past had devised a plan that would turn this "incorrigible rebel" into one of His trophies of grace.
One of author Daimler's more unusual works, involving debates about philosophy, madness, religion, and the screaming tender demon inside. Martha and Macdonald sit in Paris, debate and chat, and need, and desire, and reject... And have lots of sex.
A psychosexual quest for spiritual transformation leads to madness and death on the Cornish countryside in this 1928 “masterpiece of modern prose” (London Review of Books). To escape the devastation of World War I, a group of young bohemians decamp to the remote southwestern coast of England. Among the close-knit circle are Scylla Taverner, her brother Felix, and her soon-to-be lover Picus, all of whom are determined to forge a new morality free of the repressive forces that nearly destroyed civilization. When the group discovers an ancient chalice that may be the Holy Grail, they become obsessed with unleashing its spiritual power. But their quest leads them down a terrifying path of exhilarating possibility and violent consequence.
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The story of the artistic collaboration between the originators of the ecosex movement, their diverse communities, and the Earth What’s sexy about saving the planet? Funny you should ask. Because that is precisely—or, perhaps, broadly—what Annie Sprinkle and Beth Stephens have spent many years bringing to light in their live art, exhibitions, and films. In 2008, Sprinkle and Stephens married the Earth, which set them on the path to explore the realms of ecosexuality as they became lovers with the Earth and made their mutual pleasure an embodied expression of passion for the environment. Ever since, they have been not just pushing but obliterating the boundaries circumscribing biology a...
Dearborn's unprecedented access to Guggenheim's family, friends, and papers contributes rich insight to her traumatic childhood in New York, her self-education in the ways of art and artists, her battles with other art-collecting Guggenheims, and her legendary sexual appetites.
Jesse is a twenty-nine year old adrift in San Francisco's demimonde of sexually ambiguous, drug-taking outsiders, desperately trying to sustain a connection with her bisexual boyfriend. She becomes caretaker and confidante to Madame Pig, a grotesque, besotted recluse. Jesse also meets Madison, Pig's daughter or lover or both, who uses others' desires for her own purposes, and who leads Jesse into a world beyond all boundaries. As startling, original and vital as it was when first published, Suicide Blonde is an intensely erotic story of one young woman's sexual and psychological odyssey and a modern cult classic.
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