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Do It Yourself Dramaturgy
“The secret of life may be found in the questions you ask, and the same goes for the secrets of playwriting. In Do It Yourself Dramaturgy, Caroline Russell-King asks just the right questions or, rather, she exhorts playwrights to ask them before launching their work into the world. Comprehensive and concise, this eminently usable guide offers lesson after lesson in dramaturgical inquiry—craft-based, artistic, practical, professional, and even profound. It comes packing answers, too, from a writer who clearly knows her stuff, including how to entertain as she teaches. Russell-King’s cheeky, smart examples are worth the price of admission. Her parentheticals—where she stows personal st...
We Used to Dream of Freedom
“Chaiton's fearless and moving memoir is a precious gift to anyone who yearns for a better understanding of intergenerational trauma and the path to true liberation.” — JEANNE BEKER, author, fashion editor, and television personality A child of Holocaust survivors grapples with his parents’ untold stories and their profound effect on the course of his extraordinary life. Growing up in Toronto, Sam Chaiton and his brothers knew their parents had been prisoners in Bergen-Belsen. But what their parents wouldn’t share about their history — including the fact they had also been in Auschwitz — ended up shaping their children’s lives. We Used to Dream of Freedom explores what a family is or could be; the psychology of survivors and the impact of survivor silence on their family; and the responsibility of second generations from traumatized communities to share knowledge from their own histories to help alleviate the suffering of others. Irreverent, moving, and tragic, often all at once, at its heart it is a story of a man who disappeared on his family, his quest to understand why he had to leave, and the long-overdue discovery about his parents that brought him back.
The Yoko Ono Project
Three very different Asian-Canadian women fall into the world of Yoko Ono -- her music, art, Instruction Poems and words -- and are never the same again. A cheeky multimedia performance art comedy, The Yoko Ono Project unravels and investigates the demonization of one of the most intriguing and controversial artists in North American pop culture.
Just Prospering?
Just Prospering? explores an important debate about the value of justice in Ancient Greece. Anderson begins with an analysis of the 5th Century BCE sophists and their novel philosophical debates about justice, before turning to Plato's Republic which, he argues, cannot be understood without attending to the sophistic dialogue.
AWOL
It was love at first scene: the West Coast's innovative Theatre SKAM and Sean Dixon were a match made in heaven. AWOL offers up for the first time three of the fruits of their three-year-and-counting union. In Aerwacol, a couple flees personal tragedy on a manual railroad car headed across the prairies, meeting odd characters along the way. Billy Nothin' is an existentialist cowboy play inwhich horse trainer Billy None loses the 'cowboy way' so entirely that his best friends don't even recognize him any more. And dystopian romance District of Centuries tells the story of a suburban type seeking his long-lost brother in a downtown housing project designed to crumble so fast that inhabitants come to believe they're hundreds of years old.
Ghost Light
Since its release in 2010, Ghost Light: An Introductory Handbook for Dramaturgy has become the international standard for dramaturgy training and practice. As the field of dramaturgy continues to shift and change, this new edition prepares theatre students and practitioners to create powerful, relevant performances of all types.
Nightwood Theatre
Nightwood Theatre is the longest-running and most influential feminist theatre company in Canada. Since 1979, the company has produced works by Canadian women, providing new opportunities for women theatre artists. It has also been the "home company" for some of the biggest names in Canadian theatre, such as Ann-Marie MacDonald. In Nightwood Theatre, Scott describes the company?s journey toward defining itself as a feminist theatre establishment, highlighting its artistic leadership based on its relevance to diverse communities of women. She also traces Nightwood?s relationship with the media and places the theatre in an international context by comparing its history to that of like companies in the U.K. and the U.S
Two Ships Passing
Two Ships Passing is the sequel to Dave Carley's Midnight Madness, which received its world premiere in 1988, and went on to become one of Canada's most widely produced plays. In the decade since their encounter in Midnight Madness, Anna and Wesley's lives have changed considerably: Anna has recently been appointed to the bench and Wesley has become a minister. Anna's son, Jason, thirteen when we last saw him in Midnight Madness, is now a university graduate - in business administration. The trio's political views have diverged over the years and the once sexually repressed Wesley has even managed to develop a few sexual peccadilos. Set against the public background of Ontario under Mike Harris's ""Common Sense Revolution"" and the private background of personal successes and failures, Two Ships Passing provides theatre-goer and play-reader alike with the lively and witty intellectual debate normally associated with Shaw.
Claptrap
Claptrap is a grand satire of the colonial mentality that governs the theatre festivals of Canada.
Fighting Words: notes for a future we won't have
Fact-driven speculative fiction. What could've been. What should've been. A collection of 18 stand-alone, but related, pieces: Damages Home for Unwed Fathers Fighting Words Comedown What Sane Man Sweet Sixteen Ballsy Justified It's a Boy Men Need Sex How We Survived The Knitting Group The Mars Colonies A PostTrans PostPandemic World Unless Alleviation The Women's Party My Last Year “Just reading ['What Sane Man'] was satisfying.” Anonymous, ovarit.com “['Men Need Sex'] is terrific!” An ovarite from ovarit.com
