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This carefully annotated bibliography lists sources of criticism for thirty-nine Southern male authors, each of whom has published at least one significant book of fiction between 1970 and 1994.
These interviews and profiles tell the story of one woman's discovery of her coal-mining hometown as a potential "literary place" and how she used them to pursue her dream career.
With wit, charm, and grace the interviews in this collection demonstrate what readers of Wilbur's poems long have suspected: that this former U.S. poet laureate is no less persuasive and forceful in extemporaneous speech than he is in verse and prose. Wilbur proves as enlightening and thought-provoking with student reporters from Amherst College, his alma mater, as with journalists for THE PARIS REVIEW, displaying the same dazzling talents that garnered him the Pulitzer Prize in 1957 and again thirty years later. Opinionated yet ever-charitable, he presents the case for rhyme and meter in a dozen different ways in just as many interviews. He expresses a degree of admiration for poetic opposites such as Allen Ginsberg and addresses the objections of his critics. Wilbur's comments and keen insights on his coevals and his craft read as articulately as fine prose. His observations never fail to stimulate or to challenge.
Morris "Moe" Dalitz was America's most secretive and most successful mobster. As a major architect of the United States' national crime syndicate, Dalitz was active in various fields of organized crime from 1918 until his death, all while spinning a web of myth and mock-respectability around himself so dense that decades after his demise, most mistake the legend for reality. From Prohibition-era bootlegging to the Reagan years, no other individual was present at so many pivotal events in gangland history. It's impossible to fully understand the modern Mob without knowing about Dalitz, his career, and the cunning publicity campaign that transformed his image from thug to that of a revered philanthropist. This exhaustive biography tells the story of Dalitz's life and the syndicate that he and like-minded individuals built from scratch.
A skilled chronicler of living history, Irv Broughton has dedicated the better part of his life to capturing a wide spectrum of American life: distinguished writers; people of arts and letters; of famous producers; old-time Floridians; heroic WWII fliers and soldiers-those whose memories and experience contribute to the history and fabric of America.
Since the early 1970s southern fiction has been increasingly attentive to social issues, including the continuing struggles for racial justice and gender equality, the loss of a sense of social community, and the decline of a coherent regional identity. The essays in The World Is Our Home focus on writers who have explicitly addressed social and cultural issues in their fiction and drama, including Dorothy Allison, Horton Foote, Ernest J. Gaines, Jill McCorkle, Walker Percy, Lee Smith, William Styron, Alice Walker, and many others. The contributors provide valuable insights into the transformation of southern culture over the past thirty years and probe the social and cultural divisions that persist. The collection makes an important case for the centrality of social critique in contemporary southern fiction.
Game On tells the story of how and why the sports media industry grew to become one of the most important and profitable components of the global entertainment landscape.
Women's Oral History: The "Frontiers" Reader is an essential guide to the practice of gathering and interpreting women's oral accounts of their lives. During the 1970s, whenøwomen's history was just developing, the lack of historical information about women's lives was glaring. Oral history quickly emerged as a vital and necessary tool for documenting the lives and experiences of women, who rarely recorded it for themselves?much less for posterity. Standard models of practicing oral history, however, were inadequate to the job of organizing and interpreting women's lives, and new models that addressed the distinctiveness of the lives of women?in all of their diversity?were needed. As one of...
Collected interviews with the author of The Light in the Piazza, For Lease or Sale, and Fire in the Morning
Reports for 1980-19 also include the Annual report of the National Council on the Arts.