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Patterns in Shakespearian Tragedy
  • Language: en
  • Pages: 232

Patterns in Shakespearian Tragedy

  • Type: Book
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  • Published: 2013-09-13
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  • Publisher: Routledge

First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama

Perspectives on Hamlet
  • Language: en
  • Pages: 256

Perspectives on Hamlet

Prefaces literary, psychological, and theatrical studies of Shakespeare's celebrated tragedy with a discussion of its sources and evolution.

Shakespeare's English and Roman History Plays
  • Language: en
  • Pages: 176

Shakespeare's English and Roman History Plays

Examines Shakespearean drama's Christian overtones, explaining why they have been ignored for so long and how those overtones can influence one's interpretation of Shakespeare's work.

Christopher Marlowe
  • Language: en
  • Pages: 205

Christopher Marlowe

  • Type: Book
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  • Published: 2023-08-21
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  • Publisher: BRILL

None

The English History Play in the Age of Shakespeare
  • Language: en
  • Pages: 384

The English History Play in the Age of Shakespeare

  • Categories: Art

Recognized as one of the leading books in its field, The English History Play in the Age of Shakespeare presents the most comprehensive account available of the English historical drama from its beginning to the closing of the theatres in 1642.

Drama of a Nation
  • Language: en
  • Pages: 420

Drama of a Nation

During the sixteenth and seventeenth centuries, in the midst of an international florescence of drama, the English and Spanish theaters displayed striking and unique similarities. Although these two national theaters developed in relative isolation from each other, in both countries the plays synthesized native popular traditions and neoclassical learned conventions, a synthesis found neither in the more elite Italian and French drama of the time nor in any other European drama before or since. In Drama of a Nation, Walter Cohen illuminates the causes of this significant parallel development. Working from a Marxist perspective, Cohen seeks to establish correlations among individual plays, dr...

God and the Chip
  • Language: en
  • Pages: 199

God and the Chip

Our ancestors saw the material world as alive, and they often personified nature. Today we claim to be realists. But in reality we are not paying attention to the symbols and myths hidden in technology. Beneath much of our talk about computers and the Internet, claims William A. Stahl, is an unacknowledged mysticism, an implicit religion. By not acknowledging this mysticism, we have become critically short of ethical and intellectual resources with which to understand and confront changes brought on by technology.

Bottom, Thou Art Translated
  • Language: en
  • Pages: 255

Bottom, Thou Art Translated

  • Type: Book
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  • Published: 1973
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  • Publisher: BRILL

None

Tyranny and Usurpation
  • Language: en
  • Pages: 240

Tyranny and Usurpation

This book investigates the political, legal, historical circumstances under which the 'tyrant' of early Tudor drama becomes conflated with the 'usurper-tyrant' of the commercial theatres of London, and how the usurpation plot emerges as one of the central preoccupations of early modern drama.

The English Morality Play
  • Language: en
  • Pages: 289

The English Morality Play

First published in 1975, The English Morality Play is the extended history of the English morality play, its persistence and flourishing as a dramatic tradition. The book sheds light on the intellectual and social origins of the morality play, its relationship to the medieval Corpus Christi cycle plays, its subject, purpose, conditions of original staging, and the abstract characters of its dramatis personae. The changing tradition is revealed within Renaissance drama, in the works of Skelton and Medwall, and the Reformation plays of Lindsay, Bale and Udall, as the morality play altered under the pressure of political events, escaped from the general suppression of religious drama, and in co...