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Breakfast lavishly, pre-book all your holidays years in advance, dress sensibly and obey the red man! «How to be German» presents all the little absurdities that make living in Germany such a pleasure. It’s required reading for all Ausländer and for Germans who sometimes have the feeling they don’t understand their own country. We learn why the Germans speak so freely about sex, why they are so obsessed with «Spiegel Online» and why they all dream of being naked in a lake of Apfelsaftschorle. At the end, the only thing left to say to Adam Fletcher’s love letter to Germany is «Alles klar!» This e-book is also available in German: «Wie man Deutscher wird in 50 einfachen Schritten. Eine Anleitung von Apfelsaftschorle bis Tschüss». The printed edition has been published as a bilingual turn-around book.
(Piano). This is the first publication to feature the piano music of young English composer and pianist Alma Deutscher, complementing her recorded album on Sony Classical. Critics describe her work as "indeed miraculous," having "the poetry of Franz Schubert...the grace, lightness and brilliance of Mozart," and "wit and spirit." CONTENTS: For Antonia * The Lonely Pine-Tree * Summer in Mondsee * Up in the Sky * When the Day Falls into Darkness * The Star of Hope * In Memoriam * The Chase * Sixty Minutes Polka * I Think of You (G-flat major and G major versions) * Siren Sounds Waltz
Essays on Judaism in the modern world, from philosophy and history to art and politics In these essays Deutscher speaks of the emotional heritage of the European Jew with a calm clear-sightedness. As a historian he writes without religious belief, but with a generous breadth of understanding; as a philosopher he writes of some of the great Jews of Europe: Spinoza, Heine, Marx, Trotsky, Luxemburg, and Freud. He explores the Jewish imagination through the painter Chagall. He writes of the Jews under Stalin and of the “remnants of a race“ after Hitler, as well as of the Zionist ideal, of the establishment of the state of Israel, of the Six-Day War, and of the perils ahead.
Deutscher is the first scholar to focus on Irigaray's controversial later works. She examines Irigaray's claim that the politics of feminism and multiculturalism are intrinsically linked. The book also gives a clear introduction to the entire corpus of her work.
"Rosemary has done a wonderful job of sharing her sensitivity and expert skills in the field of music and combining them with ways to ease the journey of her students, relieving their fears and anxiety. She has surely changed the lives of those she has personally taught and this book can continue that transformation for so many others. I highly recommend it for anyone working to advance in the field of music." --Joanne Callahan MBA President, Cal
Rancorous and highly public disagreements between Isaiah Berlin and Isaac Deutscher escalated to the point of cruel betrayal in the mid-1960s, yet surprisingly the details of the episode have escaped historians’ scrutiny. In this gripping account of the ideological clash between two of the most influential scholars of Cold War politics, David Caute uncovers a hidden story of passionate beliefs, unresolved antagonism, and the high cost of reprisal to both victim and perpetrator. Though Deutscher (1907–1967) and Berlin (1909–1997) had much in common—each arrived in England in flight from totalitarian violence, quickly mastered English, and found entry into the Anglo-American intellectual world of the 1950s—Berlin became one of the presiding voices of Anglo-American liberalism, while Deutscher remained faithful to his Leninist heritage, resolutely defending Soviet conduct despite his rejection of Stalin’s tyranny. Caute combines vivid biographical detail with an acute analysis of the issues that divided these two icons of Cold War politics, and brings to light for the first time the full severity of Berlin’s action against Deutscher.
Perhaps the sharpest and most useful criti-cism of Soviet communism has come from Left socialist sources. The essays in this collection are unified by an abiding faith in the value of social change and political revolution, as well as a shared belief that the Soviet Union has fallen drastically short of its own promissory notes delivered by the Bolshevik Revolution of 1917. This volume, the first in a series published under the direction of New Politics magazine, takes up the intimacies of Soviet society--its legal practices, its party organization, its eco-nomic planning techniques--with a devastat-ing forthrightness that is not to be found in any other single source. The writings draw heavily from scholarly sources in Europe that provide perspectives toward Soviet so-ciety uncluttered by the usual ideological gambits found in many books published in this- country, and unbiased by a reliance on purely secondary sources. For all who areinterested in the Soviet communist regime yesterday, today and tomorrow, this bookwill be crucial.
Taking its bearings from classic texts including Plato, Kant, Hegel and Arendt this thoughtful and intriguing book provides philosophical reflection on what it is to judge and what judgement achieves alongside, and sometimes in competition with, thinking and willing. Opening with the landmark Mabo High Court case in Australia and with detailed reference to other significant debates of judgement of the twentieth century Max Deutscher seeks to explore and explain approaches to the concepts of what is good, right and legal. Describing a connection between reason and grounds intrinsic to judgement he analyses and explores the tendency towards absolutism that displaces proper judgement. By weaving concrete instances of judgement with philosophical thought Deutscher provides a fascinating phenomenology of practices of judgement that should appeal to all readers with an interest in legal, philosophical and political thought.
'A persuasive and beautifully written take on how languages are constantly evolving... an enthralling read about human psychology and anthropology as well as linguistics.' ALEX BELLOS ___________________________________ 'Language is mankind's greatest invention - except of course, that it was never invented'. So begins Guy Deutscher's fascinating investigation into the evolution of language. No one believes that the Roman Senate sat down one day to design the complex system that is Latin grammar, and few believe, these days, in the literal truth of the story of the Tower of Babel. But then how did there come to be so many languages, and of such elaborate design? If we started off with rudime...