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War Room
Juggling motherhood and her job as a real-estate agent, Elizabeth Jordan wishes her husband could help more around the house. But Tony’s rising career as a pharmaceutical salesman demands more and more of his time. With a nice home in the suburbs and a lovely young daughter, they appear to have it all—yet they can’t seem to spend time together without fighting. Hoping for a new listing, Elizabeth visits the home of Clara Williams, an elderly widow, and is both amused and uncomfortable when Clara starts asking pointed questions about her marriage and faith. But it’s Clara’s secret prayer room, with its walls covered in requests and answers, that has Elizabeth most intrigued . . . even if she’s not ready to take Clara’s suggestion that she create a prayer room of her own. As tensions at home escalate, though, Elizabeth begins to realize that her family is worth fighting for, and she can’t win this battle on her own. Stepping out in blind faith, putting her prayers for her family and their future in God’s hands, might be her only chance at regaining the life she was meant for.
Art of the Cut
This is the second volume of the widely acclaimed Art of the Cut book published in 2017. This follow-up text expands on its predecessor with wisdom from more than 360 interviews with the world’s best editors (including nearly every Oscar winner from the last 30 years). Because editing is a highly subjective art form, and one that is critical to the success of motion picture storytelling, it requires side-by-side comparisons of the many techniques and solutions used by a wide range of editors from around the world. That is why this book compares and contrasts methodologies from a wide array of diverse voices and organizes that information so that it is easily digested and understood. There ...
Making Sense of 'Show, Don't Tell'
This fiction-editing guide shows authors and editors how to recognize shown and told prose, and avoid unnecessary exposition. Louise Harnby, a fiction editor, writer and course developer, teaches you how to identify stylistic problems and craft solutions that weave showing and telling together, and understand why there's no place for 'don't tell' in strong writing. Topics include: Shown and told prose in different scenarios; the relevance of viewpoint; when exposition serves story and deepens character; and tools that help writers add texture.
Writing Lesson Level 3--Using Editing Marks
Incorporate writing instruction in your classroom as an essential element of literacy development while implementing best practices. Simplify the planning of writing instruction and become familiar with the Common Core State Standards of Writing.
The Stars in April
Based on the True Story of Twelve-Year-Old Titanic Survivor, Ruth Becker Sometimes we have to go a long way to find out who we are. The year is 1912. When doctors in India are unable to treat her baby brother's illness, Ruth's missionary parents decide there is one solution: move her mother and the children across the world--to Michigan. But India is the only home Ruth knows. In a matter of days, she must leave Papa and all she loves behind, abandon her dream of one day playing violin in the Calcutta Orchestra, and embark on a rollicking, four-week journey across the Arabian and Mediterranean Seas, followed by the voyage to New York aboard the luxurious, ill-fated RMS Titanic. Ruth's story is one of courage and self-sacrifice as she earns her sea legs and faces the unknown, culminating in a desperate, tragic night she will never forget. I feel as though I'm sitting in Ruth's apartment and she is sharing her life story with me ... so very well-written ... one can hardly stop reading."--Floyd Andrick, former Titanic Historical Society member and personal friend of Ruth Becker
Social Media for Today's Writer
SOCIAL MEDIA is an important part of every writer's tool kit. But unless a writer knows how to use it, social media can be frustrating. Without the proper knowledge, writers can waste both time and effort. WHILE THERE'S NOT a one-size-fits-all answer to using social media to build connections with readers, there are principles that apply to all circumstances to help writers connect with their audience. This book will help every writer, no matter where they are on the publishing path, use social media to build effective connections and expand their reach. DiANN MILLS & EDIE MELSON know the importance of effective social media. They also have the proven engagement and numbers to back up their expertise. And they know how to show other writers how to do what they do. As co-directors of the Blue Ridge Mountains Christian Writers Conference and the Mountainside Publishing Retreats, DiAnn and Edie bring much more to the table than their combined half-century of writing expertise. They exhibit a proven passion to equip writers today. Individually and together, they have encouraged thousands of writers as they stay true to the call of "changing the world one writer at a time."
Editing Economics
Mark Perlman was the founding editor of the Journal of Economic Literature and responsible for issues from 1969 until 1980 when he retired. He has also written and edited a number of books and articles, concentrating on aspects of the labour market, population growth, health economics, the environment and the history of economics. His extraordinari
The Subversive Copy Editor
Each year writers and editors submit over three thousand grammar and style questions to the Q&A page at The Chicago Manual of Style Online. Some are arcane, some simply hilarious—and one editor, Carol Fisher Saller, reads every single one of them. All too often she notes a classic author-editor standoff, wherein both parties refuse to compromise on the "rights" and "wrongs" of prose styling: "This author is giving me a fit." "I wish that I could just DEMAND the use of the serial comma at all times." "My author wants his preface to come at the end of the book. This just seems ridiculous to me. I mean, it’s not a post-face." In The Subversive Copy Editor, Saller casts aside this adversaria...
All Things Left Wild
After an attempted horse theft goes tragically wrong, sixteen-year-old Caleb Bentley is on the run with his mean-spirited older brother across the American Southwest at the turn of the twentieth century. Caleb’s moral compass and inner courage will be tested as they travel the harsh terrain and encounter those who have carved out a life there, for good or ill. Wealthy and bookish Randall Dawson, out of place in this rugged and violent country, is begrudgingly chasing after the Bentley brothers. With little sense of how to survive, much less how to take his revenge, Randall meets Charlotte, a woman experienced in the deadly ways of life in the West. Together they navigate the murky values of vigilante justice. Powerful and atmospheric, lyrical and fast-paced, All Things Left Wild is a coming-of-age for one man, a midlife odyssey for the other, and an illustration of the violence and corruption prevalent in our fast-expanding country. It artfully sketches the magnificence of the American West as mirrored in the human soul.
What Editors Do
"[This book] gathers essays from twenty-seven leading figures in book publishing about their work. Representing both large houses and small, and encompassing trade, textbook, academic, and children’s publishing, the contributors make the case for why editing remains a vital function to writers—and readers—everywhere. Ironically for an industry built on words, there has been a scarcity of written guidance on how to actually approach the work of editing. This book will serve as a compendium of professional advice and will be a resource both for those entering the profession (or already in it) and for those outside publishing who seek an understanding of it. It sheds light on how editors acquire books, what constitutes a strong author-editor relationship, and the editor’s vital role at each stage of the publishing process—a role that extends far beyond marking up the author’s text. This collection treats editing as both art and craft, and also as a career. It explores how editors balance passion against the economic realities of publishing."--
