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The Pat Hobby Stories
The setting: Hollywood: the character: Pat Hobby, a down-and-out screenwriter trying to break back into show business, but having better luck getting into bars. Written between 1939 and 1940, when F. Scott Fitzgerald was working for Universal Studios, the seventeen Pat Hobby stories were first published in Esquire magazine and present a bitterly humorous portrait of a once-successful writer who becomes a forgotten hack on a Hollywood lot. "This was not art" Pat Hobby often said, "this was an industry" where whom "you sat with at lunch was more important than what you dictated in your office." Pat Hobby's Christmas Wish (excerpt) It was Christmas Eve in the studio. By eleven o'clock in the mo...
Save Me the Waltz
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All in a Life
Garret FitzGerald is an economist, statistician, journalist, barrister, historian and politician who was twice Taoiseach in the 1980s. This autobiography of an Irish Prime Minister includes political recollection and the story of the author's private life, including his marriage.
The F. Scott Fitzgerald Collection
Three novels and nine short stories by F. Scott Fitzgerald.
Fitzgerald
Originally published: Cambridge, Mass.: Schenkman Pub. Co., 1971.
Hemingway vs. Fitzgerald
Paris in the 20s: The era of literary expatriates Ernest Hemingway and F. Scott Fitzgerald continues to burn in the imagination as a time of unparalleled glamour and romance. This legendary friendship -- and rivalry -- was compellingly chronicled by Hemingway in A Moveable Feast, but as Hemingway reminded the reader, that book is fiction. Here, in Hemingway vs. Fitzgerald, prize-winning biographer Scott Donaldson goes beyond the mythologizing to create a true, multi-faceted narrative of a great friendship fueled by admiration, jealousy, and liquor -- a heady mixture of literary scholarship, history, and vivid storytelling. With a dazzling cast of characters that includes legendary Scribner's editor Maxwell Perkins, socialites Gerald and Sara Murphy, Zelda Fitzgerald, Hadley Hemingway, and writers Gertrude Stein, Morley Callaghan and Edmund Wilson, Scott Donaldson recounts the glory and pain of the great literary friendship of our time. Book jacket.
The Cambridge Companion to F. Scott Fitzgerald
Eleven specially commissioned essays by major Fitzgerald scholars present a clearly written and comprehensive assessment of F. Scott Fitzgerald as a writer and as a public and private figure. No aspect of his career is overlooked, from his first novel published in 1920, through his more than 170 short stories, to his last unfinished Hollywood novel. Contributions present the reader with a full and accessible picture of the background of American social and cultural change in the early decades of the twentieth century. The introduction traces Fitzgerald's career as a literary and public figure, and examines the extent to which public recognition has affected his reputation among scholars, critics, and general readers over the past sixty years. This volume offers undergraduates, graduates and general readers a full account of Fitzgerald's work as well as suggestions for further exploration of his work.
The Vegetable; Or, From President to Postman
Reproduction of the original.
FitzGerald’s Rubáiyát of Omar Khayyám
Edward FitzGerald's ‘Rubáiyát’, loosely based on verses attributed to the eleventh-century Persian writer, Omar Khayyám, has become one of the most widely known poems in the world, republished virtually every year from 1879 to the present day, and translated into over eighty different languages. And yet it has been largely ignored or at best patronized by the academic establishment. This volume sets out to explore the reasons for both the popularity and the neglect.
F. Scott Fitzgerald’s Fiction
A personal interpretation of one of America’s most important writers. “Fitzgerald’s work has always deeply moved me,” writes John T. Irwin. “And this is as true now as it was fifty years ago when I first picked up The Great Gatsby. I can still remember the occasions when I first read each of his novels; remember the time, place, and mood of those early readings, as well as the way each work seemed to speak to something going on in my life at that moment. Because the things that interested Fitzgerald were the things that interested me and because there seemed to be so many similarities in our backgrounds, his work always possessed for me a special, personal authority; it became a fo...
