Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
I Love You, Marta
None
Julia
None
On Our Own Behalf
Stories deal with adolescence, education, marriage, aging, friendships, and life in post-France Spain
A Corpse of One's Own
A Corpse of One's Own is a feminist thriller written originally in Catalan, a tongue effectively persecuted in Spain during 40 years of Francoist dictatorship. Thus the novel comes to us from a two-pronged history of oppression, and wrenches its plot to resolution in a way that may shock even those familiar with the feminist genre fiction of Sara Paretsky or Sue Grafton. Simó's Sara Costa, unlike V.I. Warshawski or Kinsey Milhone, is not initially strong or independent, well-educated, or even particularly smart, and she is certainly not hip by anyone's definition. In fact, fifty-five year-old Sara is the type of woman most likely to take abuse from a patriarchy she can never fully understand. While Grafton and Paretsky brilliantly expose the wounds of being one-down (female, minority, poor, or idealistic, for example), then deftly suture these incisions into our society with their heroines' wit and knack for survival, Simó shows us life as a horribly messy accident for which the novel has no emergency medical training. As readers, all we can do is contemplate the carnage in horror.
Policing Gender and Alicia Giménez Bartlett's Crime Fiction
Alicia Giménez Bartlett’s popular crime series, written in Spanish and organized around the exploits of Police Inspector Petra Delicado and Deputy Inspector Fermin Garzon, is arguably the most successful detective series published in Spain during the previous three decades. Nina L. Molinaro examines the tensions between the rhetoric of gender differences espoused by the woman detective and the orthodox ideology of the police procedural. She argues that even as the series incorporates gender differences into the crime series formula, it does so in order to correct women, naturalize men’s authority, sanction social hierarchies, and assuage collective anxieties. As Molinaro shows, with the exception of the protagonist, the women characters require constant surveillance and modification, often as a result of men’s supposedly intrinsic protectiveness or excessive sexuality. Men, by contrast, circulate more freely in the fictional world and are intrinsic to the political, psychological, and economic prosperity of their communities. Molinaro situates her discussion in Petra Delicado’s contemporary Spain of dog owners, ¡Hola!, Russian cults, and gated communities.
Visions and Revisions
The authors studied, born between 1867 and l966, evince an interest in one or more of the issues that structure and give unity to this book: the construction of the self, concepts of gender and nation, center and margin, and efforts to recover and/or reconstruct the past, both individual and collective. In addition to focusing on questions that are currently of great critical interest, the volume features both Castilian and Catalan authors.
A Companion to the Twentieth-century Spanish Novel
The Spanish novel in a turbulent century.
Spanish Women's Writing 1849-1996
Traces the tradition of Spanish women's writing from the end of the Romantic period until the present day. Professor Davies places the major authors within the changing political, cultural and economic context of women's lives over the past century-and-a-half -- with particular attention to women's accounts of female subjectivity in relation to the Spanish nation-state, government politics, and the women's liberation movement.
Cosmos Latinos
The first-ever collection of Latin American science fiction in English.
