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Big Screens, Small Forms
We witness an era with more screens than ever before, and within each screen, a multitude of visual varieties. Lisa Gotto investigates this medial diversity as a field of tension between large and small forms of digital image culture. This includes, on the one hand, the immersive potential of large image arrangements, such as digital 3D cinema, and, on the other hand, the compactness of mobile image forms, such as those of the smartphone film or the media practices of Instagram. Weaving together a rich variety of examples and sources, this book presents a multifaceted collection of essays that explore the transformational potential of digital media culture, contextualize its media-technical conditions, and reflect on its social consequences.
Differences in Common
Differences in Common engages in the ongoing debate on ‘community’ focusing on its philosophical and political aspects through a gendered perspective. It explores the subversive and enriching potential of the concept of community, as seen from the perspective of heterogeneity and distance, and not from homogeneity and fused adhesions. This theoretical reflection is, in most of the essays included here, based on the analysis of literary and filmic texts, which, due to their irreducible singularity, teach us to think without being tied, or needing to resort, to commonplaces. Philosophers such as Arendt, Blanchot, Foucault, Agamben or Derrida have made seminal reflections on community, ofte...
Genero y cultura popular/ Genre and Popular Culture
I. ESTUDIOS CULTURALES Y ESTUDIOS DE GENERO: METODOLOGÍAS. II. LITERATURA. III. CINE. IV. TELEVISIÓN. V. CIBERESPACIO Y NUEVAS TECNOLOGÍAS. VI. MÚSICA Y CULTURA JUVENIL.
Diàlegs gais, lesbians, queer / Diálogos gays, lesbianos, queer
En los últimos años, los estudios de identidad y género han enriquecido notablemente el panorama intelectual. Con una perspectiva multidisciplinaria que va de las representaciones artísticas a las lingüísticas, de las teorías académicas al activismo político y al compromiso intelectual, los presentes diálogos someten a análisis conceptos, normas, prácticas, mitologías y estereotipos asociados a la sexualidad y al erotismo y nos animan a revisar las formulaciones convencionales de género e identidad.
Homo Mimeticus II
After the linguistic and the affective turns, the new materialist and the performative turns, the cognitive and the posthuman turns, it is now time to re-turn to the ancient, yet also modern and still contemporary realization that humans are mimetic creatures. In this second installment of the Homo Mimeticus series, international scholars working in philosophy, literary theory, classics, cultural studies, sociology, political theory, and the neurosciences engage creatively with Nidesh Lawtoo’s Homo Mimeticus: A New Theory of Imitation to further the transdisciplinary field of mimetic studies. Agonistic critical engagements with precursors like Plato, Aristotle, Nietzsche, Bataille, Irigaray and Girard, involving contributions by leading international thinkers such as Mikkel Borch-Jacobsen, William E. Connolly, Henry Staten and Vittorio Gallese among many others, reveal the urgency to rethink mimesis beyond realism. From imitation to identification, mimicry to affective contagion, techne to simulation, mirror neurons to biomimicry, homo mimeticus casts a shadow—but also a light—on the present and future, from social media to the Anthropocene.
Images of Women in Hispanic Culture
This book studies the ways traditional polarized images of women have been used and challenged in the Hispanic world, especially during the 20th century and the beginning of the 21st century by writers and the media, but also in earlier time periods. The chapters analyze the image of women in specific political periods such as Francoism or the Kirchners’ administration, stereotypes of women in films in Mexico and Chile, and the representation of women in textbooks, among other topics. Contributions also show how two women writers, in the 17th and the 19th centuries, viewed the role of women in their society.
Nip/Tuck
Promoted as a 'disturbingly perfect' and 'deeply shallow' television drama and created by Ryan Murphy, who is also behind the teen musical show Glee, Nip/Tuck has been one of the most popular and controversial shows on cable TV. The misadventures and soap opera-esque entanglements of the lives of plastic surgeons Christian Troy (Julian McMahon) and Sean McNamara (Dylan Walsh) won Golden Globes and boycotts from the American Family Association. Yet, as this first full critical examination of Nip/Tuck shows, ironically the show is an examination of the American family and its many definitions, anxieties and complications of gender and sexuality, and the class issues and illusions surrounding the American dream. It is also revealed as a glorious televisual melodrama, full of Gothic tropes and contemporary sensationalism and at the same time, a deeply misanthropic satire on the American dream with a sometimes highly problematic portrayal of women and minorities. The book also features an interview with frequent Nip/Tuck director Elodie Keene and an episode guide.
Cuadernos Literarios N. 11
Cuadernos Literarios es una revista de periodicidad anual editada por el Fondo Editorial de la Universidad Católica Sedes Sapientiae. Difunde investigaciones originales e inéditas en el campo de la teoría y crítica literaria. Está dirigida, en primer lugar, a la comunidad académica de investigadores del fenómeno literario y, en segundo lugar, considerando el significado y proyección de los trabajos difundidos en la revista, a otros profesionales de áreas afines.
A Comparative History of Literatures in the Iberian Peninsula
Volume 2 of A Comparative History of Literatures in the Iberian Peninsula brings to an end this collective work that aims at surveying the network of interliterary relations in the Iberian Peninsula. No attempt at such a comparative history of literatures in the Iberian Peninsula has been made until now. In this volume, the focus is placed on images (Section 1), genres (Section 2), forms of mediation (Section 3), and cultural studies and literary repertoires (Section 4). To these four sections an epilogue is added, in which specialists in literatures in the Iberian Peninsula, as well as in the (sub)disciplines of comparative history and comparative literary history, search for links between Volumes 1 and 2 from the point of view of general contributions to the field of Iberian comparative studies, and assess the entire project that now reaches completion with contributions from almost one hundred scholars.
