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'Black but Human' is a proverb which emerges from the African work songs and poems written by Afro-Hispanics enslaved in Spain during the Hapsburg dynasty. Carmen Fracchia uses the lens of visuals arts and material culture to understand the representation and self-representation of Afro-Hispanic slaves and ex-slaves in this period.
Surveys the art of the Age of Exploration in Europe, the Far East, and the Americas
Though women played an integral role in the conquest of the New World, little has been written about their contributions. This Spanish-language work examines the lives and deeds of women who influenced the course of history in the Americas some 500 years ago. Covered in detail are the lives of Maria de Toledo, first woman governor in America; Isabel de Bobadilla, governor of Cuba and instrumental in the Spanish expedition to Florida; Ana Francisca de Borja, governor of Peru and a military leader; Beatriz de la Cueva, governor of Guatemala and a political leader; Maria de Penalosa, governor of Nicaragua and a military strategist; Isabel Barreto y Quiros, first and only woman admiral of the Sp...
Sacred Skin offers the first systematic evaluation of the dissemination and development of the cult of St. Bartholomew in Spain. Exploring the paradoxes of hagiographic representation and their ambivalent effect on the observer, the book focuses on literary and visual testimonies produced from the emergence of a distinctive vernacular voice through to the formalization of Bartholomew’s saintly identity and his transformation into a key expression of Iberian consciousness. Drawing on and extending advances in cultural criticism, particularly theories of selfhood and the complex ontology of the human body, its five chapters probe the evolution of hagiographic conventions, demonstrating how flaying poses a unique challenge to our understanding of the nature and meaning of identity. See inside the book.
2009 Catholic Press Association Award Winner! From age to age you gather a people to yourself, so that from east to west a perfect offering may be made to the glory of your name." Eucharist is the fullest expression of our life with God, a life we share with Christians throughout the ages. It is also a sensory experience, engaging us in the sights and sounds, tastes and touch of the worship. Edward Foley's revised and expanded From Age to Age draws readers into that sensory experience. He traces the development of Christian Eucharist from its Jewish roots to our own time. In addition to exploring the architecture, music, books, and vessels that contributed to each period's liturgical expressions, this edition introduces readers to the theology of each age as well as the historical and cultural contexts that shaped the Eucharist. Richly illustrated with numerous images and quotations from period texts, this book is a feast for the mind and eye. Through many examples of the visual and auditory symbols that are central to Eucharist, readers will discover how Christian worship is embodied worship that from age to age gives glory to God and sanctifies people.
In the sixteenth century Spain was at the height of its glory, enjoying a period of exceptional power, wealth, and artistic splendor. In 1561 Philip II commissioned Europe's leading topographical artist, Anton van den Wyngaerde, to prepare cities and towns of his Golden Age empire. Van den Wyngaerde spent most of his time traveling in Spain from 1561 until his death in 1571, preparing views—many the earliest known depictions—of no fewer than sixty-two cities and towns, including Barcelona, Valencia, Zaragoza, Granada, Córoba, Seville, Toledo, Burgos, and Madrid. These drawings not only record Spain's cities during the most glorious moments in their history but also depict them with a precision that can almost be described as photographic.
Nowhere else can one find so many works by El Greco, Velázquez, Zurbarán, Murillo and Goya. The works of Hieronymous Bosch are unsurpassed in any other gallery, the Titian collection is vast and Rubens' development is particularly well represented. The n
Before Colombia became one of the world’s largest producers of cocaine in the 1980s, traffickers from the Caribbean coast partnered with American buyers in the 1970s to make the South American country the main supplier of marijuana for a booming US drug market, fueled by the US hippie counterculture. How did Colombia become central to the creation of an international drug trafficking circuit? Marijuana Boom is the story of this forgotten history. Combining deep archival research with unprecedented oral history, Lina Britto deciphers a puzzle: Why did the Colombian coffee republic, a model of Latin American representative democracy and economic modernization, transform into a drug paradise, and at what cost?