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The Medieval Iberian Treasury in the Context of Cultural Interchange—expanded beyond the special issue of Medieval Encounters from which it was drawn—centers on the magnificent treasury of San Isidoro de León to address wider questions about the meanings of cross-cultural luxury goods in royal-ecclesiastical settings during the central Middle Ages. Now fully open access and with an updated introduction to ongoing research, an additional chapter, composite bibliographies, and indices, this multidisciplinary volume opens fresh ways into the investigation of medieval objects and textiles through historical, art historical, and technical analyses. Carbon-14 dating, iconography, and social history are among the methods applied to material and textual evidence, together shining new light on the display of rulership in medieval Iberia. Contributors are Ana Cabrera Lafuente, María Judith Feliciano, Julie A. Harris, Jitske Jasperse, Therese Martin, Pamela A. Patton, Ana Rodríguez, and Nancy L. Wicker.
Carlos Astarita's From Feudalism to Capitalism: Social and Political Change in Castile and Western Europe, 1250–1520 presents for an English-speaking readership a major contribution to the debate on the origins of capitalism.
This highly original biography of Infante Manuel offers an intriguing and alternative perspective on one of the most turbulent eras of medieval Spain.
Conquerors, Brides, and Concubines investigates the political and cultural significance of marriages and other sexual encounters between Christians and Muslims in the Iberian Peninsula, from the Islamic conquest in the early eighth century to the end of Muslim rule in 1492. Interfaith liaisons carried powerful resonances, as such unions could function as a tool of diplomacy, the catalyst for conversion, or potent psychological propaganda. Examining a wide range of source material including legal documents, historical narratives, polemical and hagiographic works, poetry, music, and visual art, Simon Barton presents a nuanced reading of the ways interfaith couplings were perceived, tolerated, ...
The essays in this volume, written in honor of retired scholar John Williams, treat a variety of topics pertaining to Medieval Spain; providing an interdisciplinary, international, and intergenerational view of current work in the field.
Queen as King traces the origins of San Isidoro in León as a royal monastic complex, following its progress as the site changed from a small eleventh-century palatine chapel housed in a double monastery to a great twelfth-century pilgrimage church served by Augustinian canons. Its most groundbreaking contribution to the history of art is the recovery of the lost patronage of Queen Urraca (reigned 1109-1126). Urraca maintained yet subverted her family’s tradition of patronage on the site: to understand her history is to hold the key to the art and architecture of San Isidoro. This new approach to San Isidoro and its patronage allows a major Romanesque monument to be understood more fully than before.
Through an examination of the role of nuns and the place of convents in both the spiritual and social landscape, this book analyzes the interaction of gender, religion and society in late medieval and early modern Spain. Author Elizabeth Lehfeldt here examines the tension between religious reform, which demanded that all nuns observe strict enclosure, and the traditional identity of Spanish nuns and their institutions, in which they were spiritually and temporally powerful women. Lehfeldt's work is based on the archival records of twenty-three convents in the city of Valladolid, and peninsula-wide documents that include visitation records, the constitutions of religious orders, and spiritual biographies. Religious Women in Golden Age Spain is the first book-length study in English to pose this chronological and conceptual framework for identifying and analyzing the role of nuns and convents in late-medieval and early-modern Spanish society.
This volume provides a series of new perspectives on the political, military, and religious history of the reign of Fernando III, king of Castile-León, from 1217-1252. The essays collected here address the conquest of al-Andalus and the policies of Fernando III, Christian-Muslim relations in the Peninsula, the creation and curation of royal networks of power, the role of women at the Castilian court, and the impact of religious change in Castile-León. Assembling an international group of eleven leading scholars on this period of Iberian history, this volume combines military and religious history with a variety of novel approaches and methodologies to ask new and exciting questions about the reign of Fernando III and his place in medieval European history. Contributors are Martín Alvira, Carlos de Ayala Martínez, Janna Bianchini, Bárbara Boloix-Gallardo, Cristina Catalina, Francisco García Fitz, Francisco García-Serrano, Edward L. Holt, Kyle C. Lincoln, Miriam Shadis, and Teresa Witcombe.
Ten papers, on campaigns, biographies, military hardware, fortifications and interpreting medieval records. The second issue of this new undertaking broadens its geographical and practical range, widening its focus to draw in the amateur specialist in addition to military historians: the study of the origins of the crossbow industry inEngland is a case in point. Other papers include studies of campaigns (Henry II in Wales and Henry of Lancaster in France), articles on weaponry and Spanish fortifications in the Mediterranean, a brief life of the mercenary Armengol VI of Urgel, and case studies of the interpretation of chronicles in reconstructing battles and military action. Taken together, the articles reinforce the centrality of fighting and warfare in the middle ages, adding valuabledetail to an understanding of medieval society. Contributors: DAVID S. BACHRACH, ROBERT J. BURNS, KELLY DEVRIES, JOHN B. GILLINGHAM, JOHN HOSLER, DONALD KAGAY, BERNARD F. REILLY, CLIFFORD J. ROGERS, THERESA M. VANN, J.F.VERBRUGGEN.
The essays in this collection provide new material to enable the continuing recuperation of the complex social ambiance that both created and was reflected in the literature of Spain's Golden Age.