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Writers at War
Writers at War addresses the most immediate representations of the First World War in the prose of Ford Madox Ford, May Sinclair, Siegfried Sassoon and Mary Borden; it interrogates the various ways in which these writers contended with conveying their war experience from the temporal and spatial proximity of the warzone and investigates the multifarious impact of the war on the (re)development of their aesthetics. It also interrogates to what extent these texts aligned with or challenged existing social, cultural, philosophical and aesthetic norms. While this book is concerned with literary technique, the rich existing scholarship on questions of gender, trauma and cultural studies on World ...
Ford Madox Ford
The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. This series of International Ford Madox Ford Studies was founded to reflect the recent resurgence of interest in him. Each volume is based upon a particular theme or issue; and relates aspects of Ford's work, life, and contacts, to broader concerns of his time. The present book is part of a large-scale reassessment of his roles in literary history. Ford is best-known for his fiction, especially The Good Soldier, long considered a modernist masterpiece; and Parade's End, which Anthony Burgess described as 'the finest novel about the First World War...
A Space of Their Own
This collection explores how nineteenth and twentieth-century women writers incorporated the idea of ‘place’ into their writing. Whether writing from a specific location or focusing upon a particular geographical or imaginary place, women writers working between 1850 and 1950 valued ‘a space of their own’ in which to work. The period on which this collection focuses straddles two main areas of study, nineteenth century writing and early twentieth century/modernist writing, so it enables discussion of how ideas of space progressed alongside changes in styles of writing. It looks to the many ways women writers explored concepts of space and place and how they expressed these through th...
The Unconscious in Literature
This book aims to investigate the unconscious in literature using Freudian and Lacanian psychology to analyse the unconscious in a range of literary works. The works of Thomas Hardy, William Golding, and Iris Murdoch are discussed in the first chapter through eight. Based on the argument in these chapters, this volume considers the environmental problem by examining the unconscious in the literary texts, including poetry, in the light of philosophers and critics on ecology. There is a focus on the Oedipus complex, the death drive, and the unsymbolic void, as they have much relevance to each other in the unconscious as to one’s relationship with others, primarily with the mother, and underlie the plots and leitmotifs of the literary texts discussed. The author carefully examines the complicated relationship between the infringement of the pleasure principle, and the unsymbolic void, and how they are depicted as various phases of nature.
An Introduction to Ford Madox Ford
For students and readers new to the work of Ford Madox Ford, this volume provides a comprehensive introduction to one of the most complex, important and fascinating authors. Bringing together leading Ford scholars, the volume places Ford's work in the context of significant literary, artistic and historical events and movements. Individual essays consider Ford's theory of literary Impressionism and the impact of the First World War; illuminate The Good Soldier and Parade's End; engage with topics such as the city, gender, national identity and politics; discuss Ford as an autobiographer, poet, propagandist, sociologist, Edwardian and modernist; and show his importance as founding editor of the groundbreaking English Review and transatlantic review. The volume encourages detailed close reading of Ford's writing and illustrates the importance of engaging with secondary sources.
Making History New
Making History New explores how several British modernists (Joseph Conrad, Ford Madox Ford, and Rebecca West) applied the experimental methods of literary modernism to the writing of narrative history and historical novels.
The Persistence of the Soul in Literature, Art and Politics
This book analyses the evolution of literary and artistic representations of the soul, exploring its development through different time periods. The volume combines literary, aesthetic, ethical, and political considerations of the soul in texts and works of art from the seventeenth to the twenty-first centuries, spanning cultures and schools of thought. Drawing on philosophical, religious and psychological theories of the soul, it emphasizes the far-reaching and enduring epistemological function of the concept in literature, art and politics. The authors argue that the concept of the soul has shaped the understanding of human life and persistently irrigated cultural productions. They show how the concept of soul was explored and redefined by writers and artists, remaining relevant even as it became removed from its ancient or Christian origins.
Legal Narratives in Victorian Fiction
The law holds up a mirror to society and reflects that society and its ongoing preoccupations. This book establishes legal interpretation as a mode of literary interpretation, contextualising the opinions and sociological background of literature within the context of the law of its period and examines the inherent role of the law in the construction of the narrative in the literature of the nineteenth century. From the approach to the operation of jurisprudence and legal application, to the prosecution of the poor, the criminological approach to moral panics and the use of the affirmative defence to mitigate women within society, this book explores the ways in which the authors of the perio...
Hotel Modernisms
This collection of essays explores the hotel as a site of modernity, a space of mobility and transience that shaped the transnational and transcultural modernist activity of the first half of the twentieth century. As a trope for social and cultural mobility, transitory and precarious modes of living, and experiences of personal and political transformation, the hotel space in modernist writing complicates binaries such as public and private, risk and rootedness, and convention and experimentation. It is also a prime location for modernist production and the cross-fertilization of heterogeneous, inter- and trans- literary, cultural, national, and affective modes. The study of the hotel in th...
A Year of Real and Literary Birds
A Year of Real and Literary Birds is simultaneously an almanac of bird life, a work of interdisciplinary literary scholarship, and a chronicle of family life. The book paints an intimate portrait of a place and a diverse cast of authors by bringing to life the birds within landscapes both literary and actual. Intertwined within each chapter are animal narratives from a diverse sampling of writers, including, among others, Homer, the Brothers Grimm, Sarah Orne Jewett, William Wordsworth, Walt Whitman, Emily Dickinson, Emily Brontë, Thomas Pynchon, Willa Cather, Toni Morrison, Marilynne Robinson, Gabriel Garcia-Marquez, Mary Oliver, Bronislaw Maj, Mourning Dove, and (repeatedly, given Godfrey’s background as a Hemingway scholar) Ernest Hemingway. Using a blend of ecocriticism, animal studies, close reading, and the techniques of creative nonfiction, Godfrey unpacks the ways that authors and ornithologists spanning the centuries have tried to bridge the gap between human and nonhuman worlds.
