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The Drawings of Al Taylor
Featuring nearly eighty drawings and pages from a dozen sketchbooks that span Al Taylor's entire career, this book documents the artist's important achievements as a draftsman. This book investigates important and illuminating aspects of Al Taylor's drawings, which numbered over five thousand at the time of his death. It includes a chronological survey of Taylor's drawings from the mid-1980s, when he abandoned painting in favor of sculpture and drawing, and highlights the combination of technical refinement, humor, and sensuousness that characterizes his works on paper. Stunning reproductions of the works, which were inspired by such ordinary things as tin cans, pet stains, and broomsticks, ...
Pictures of People
A vibrant chronicle of the life and work of a prolific painter and bohemian eccentric.
Dan Flavin
Although Minimalist artist Dan Flavin (1933-1996) is best known for his brightly coloured installations of fluorescent lights, he was also an avid draftsman. This richly illustrated publication is the first to explore the central role drawing played in his art, to include his drawings from nature and to consider excerpts from his journal in which he wrote about his passion for drawing.
Dubuffet Drawings 1935-1962
An important new study of drawings by one of the most important French artists of the twentieth century Jean Dubuffet (1901–1985) achieved international recognition in the late 1940s for his paintings inspired by children’s drawings, the art of psychiatric patients, and graffiti. Drawing played a major role in the development of his art as he explored on paper new subjects and techniques, experimenting with nontraditional tools and modes of application. Despite his essential role in the postwar avant-garde and his continuous influence on the art of the following decades, Dubuffet has received less attention than other artists of his generation. Dubuffet’s Drawings, 1935–1962 will be the first major museum exhibition devoted to works on paper by one of the most important French artists of the twentieth century. Featuring more than one hundred drawings representing Dubuffet’s development during his most innovative decades––the 1940s and 1950s––the exhibition will include rarely seen works and major loans from public and private collections in the United States and France.
Faking it
"It is a long-held truism that 'the camera does not lie'. Yet, as Mia Fineman argues in this illuminating volume, that statement contains its own share of untruth. While modern technological innovations, such as Adobe's Photoshop software, have accustomed viewers to more obvious levels of image manipulation, the practice of "doctoring" photographs has in fact existed since the medium was invented. In "Faking It", Fineman demonstrates that today's digitally manipulated images are part of a continuum that begins with the earliest years of photography, encompassing methods as diverse as overpainting, multiple exposure, negative retouching, combination printing, and photomontage. Among the book'...
Surrealism USA
While Surrealism was becoming out of fashion in Europe in the 1930s, it enjoyed a growing popularity on the other side of the Atlantic. This text traces the history of this movement in the United States from about 1930 to 1950 by examining its manifestations throughout the country.
Religious Imaging in Millennialist America
Ashley Crawford investigates how such figures as Ben Marcus, Matthew Barney, and David Lynch—among other artists, novelists, and film directors—utilize religious themes and images via Christianity, Judaism, and Mormonism to form essentially mutated variations of mainstream belief systems. He seeks to determine what drives contemporary artists to deliver implicitly religious imagery within a ‘secular’ context. Particularly, how religious heritage and language, and the mutations within those, have impacted American culture to partake in an aesthetic of apocalyptism that underwrites it.
Drawing/Thinking
Bringing together authors from the fields of architecture, landscape architecture and art, this book addresses the question ‘Why draw?’ by examining the various dynamic relationships between media, process, thought and environment.
Abstract Bodies
Original and theoretically astute, Abstract Bodies is the first book to apply the interdisciplinary field of transgender studies to the discipline of art history. It recasts debates around abstraction and figuration in 1960s art through a discussion of gender’s mutability and multiplicity. In that decade, sculpture purged representation and figuration but continued to explore the human as an implicit reference. Even as the statue and the figure were left behind, artists and critics asked how the human, and particularly gender and sexuality, related to abstract sculptural objects that refused the human form. This book examines abstract sculpture in the 1960s that came to propose unconventio...
Mark Rothko
This is the first volume of the catalogue raisonne of the work of Mark Rothko, the abstract artist. It documents Rothko's entire output of paintings on canvas and panel, reproducing all the works in colour. An introductory text investigates the essential features of Rothko's art.
