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A vibrant chronicle of the life and work of a prolific painter and bohemian eccentric.
"It is a long-held truism that 'the camera does not lie'. Yet, as Mia Fineman argues in this illuminating volume, that statement contains its own share of untruth. While modern technological innovations, such as Adobe's Photoshop software, have accustomed viewers to more obvious levels of image manipulation, the practice of "doctoring" photographs has in fact existed since the medium was invented. In "Faking It", Fineman demonstrates that today's digitally manipulated images are part of a continuum that begins with the earliest years of photography, encompassing methods as diverse as overpainting, multiple exposure, negative retouching, combination printing, and photomontage. Among the book'...
While Surrealism was becoming out of fashion in Europe in the 1930s, it enjoyed a growing popularity on the other side of the Atlantic. This text traces the history of this movement in the United States from about 1930 to 1950 by examining its manifestations throughout the country.
Ashley Crawford investigates how such figures as Ben Marcus, Matthew Barney, and David Lynch—among other artists, novelists, and film directors—utilize religious themes and images via Christianity, Judaism, and Mormonism to form essentially mutated variations of mainstream belief systems. He seeks to determine what drives contemporary artists to deliver implicitly religious imagery within a ‘secular’ context. Particularly, how religious heritage and language, and the mutations within those, have impacted American culture to partake in an aesthetic of apocalyptism that underwrites it.
An important new study of drawings by one of the most important French artists of the twentieth century Jean Dubuffet (1901–1985) achieved international recognition in the late 1940s for his paintings inspired by children’s drawings, the art of psychiatric patients, and graffiti. Drawing played a major role in the development of his art as he explored on paper new subjects and techniques, experimenting with nontraditional tools and modes of application. Despite his essential role in the postwar avant-garde and his continuous influence on the art of the following decades, Dubuffet has received less attention than other artists of his generation. Dubuffet’s Drawings, 1935–1962 will be the first major museum exhibition devoted to works on paper by one of the most important French artists of the twentieth century. Featuring more than one hundred drawings representing Dubuffet’s development during his most innovative decades––the 1940s and 1950s––the exhibition will include rarely seen works and major loans from public and private collections in the United States and France.
Retells the tale of the teeny-tiny woman who finds a teeny-tiny bone in a churchyard and puts it away in her cupboard before she goes to sleep. Copyright © Libri GmbH. All rights reserved.
Bringing together authors from the fields of architecture, landscape architecture and art, this book addresses the question ‘Why draw?’ by examining the various dynamic relationships between media, process, thought and environment.
This is the first volume of the catalogue raisonne of the work of Mark Rothko, the abstract artist. It documents Rothko's entire output of paintings on canvas and panel, reproducing all the works in colour. An introductory text investigates the essential features of Rothko's art.
This exhibition catalog highlights a recent gift of works on paper to the Art Institute of Chicago from the Gecht family, longtime Chicago collectors. The catalog comprises 135 drawings, prints, and sculptures from the collection, all of which embody a broad definition of Modernism. The book spans two centuries and contains artists such as Cezanne and Van Gogh as well as Mark Rothko and Philip Guston. Toulouse-Lautrec, Matisse, and Picasso form the backbone of the collection with nearly 30 works of art apiece. Suzanne Folds McCullagh (curator of prints & drawings, Art Inst. of Chicago) provides a short introductory essay that tracks the evolution of the collection. Authored by a bevy of cont...
In the Gilded Age, when most sculptors aspired to produce monuments, Bessie Potter Vonnoh (1872-1955) made significant contributions to small bronze sculpture and garden statuary designed for the embellishment of the home. Her work commanded admiration for her fluid and suggestive modeling, graceful lines, and sculptural form. In 1904 Bessie Potter Vonnoh won the gold medal for sculpture at the St. Louis World's Fair for bronzes of contemporary American women and children that delighted all who saw them. Although Vonnoh's work is represented today in museums throughout the United States, Bessie Potter Vonnoh: Sculptor of Women provides for the first time an intimate and engaging encounter wi...