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Esiaba Irobi's Drama and the Postcolony
Esiaba Irobi (1960-2010) was one of Africa's most innovative and productive younger playwrights. Deeply rooted in the indigenous performance traditions of his Igbo ethnic group, Irobi's drama, in the tradition of Wole Soyinka, is a hybrid production involving an iconoclastic reconceptualisation of the heritage he appropriates, its fascinating conflation with other performance traditions, and their projection onto the arena of contemporary Nigerian politics. This study by Isidore Diala is the first book-length examination of Irobi's work. It portrays a highly creative individual who was literally driven by the creative urge. The five chapters of this study illuminate different aspects of Irobi's oeuvre and include a vivid portrayal of Irobi the actor in his dream role of Elesin Oba, the eponymous King's Horseman in Wole Soyinka's drama. Diala highlight's Irobi's fascination for African festivals, which feature prominently in the earlier plays.He also demonstrates that although he is rooted in his Igbo culture, Irobi draws on different ethnic groups, pointing to conceptions of pan-Africanism that include the African diaspora.
Critical Engagements on African Literature
Beyond the critical examination of Isidore Dialaâ (TM)s award-winning poetry and drama, the essays in this collection offer fresh insights on the complex methodological and theoretical patterns underlying the readings of African literary landscapes. This is the first book to devote considerable attention to the study of Dialaâ (TM)s creative works The Pyre (drama) and The Lure of Ash (poetry). The majority of the contributors here are selected from among the finest of Dialaâ (TM)s former teachers, colleagues and students who know him very closely. The collection addresses fertile areas of African literary expression, such as the relationship between literature and national history, African ritual aesthetics; affirmation, denial and ambivalence as products of social constructions; and exile, migration and home-coming. Contributions also explore poetry and poetic truths; semiotics; anticolonial revolutions and postcolonial implosions; oil politics; discontent and militancy; and feminism and gender politics. The book stands out among its peers, and offers great insights to scholars, researchers and teachers working in the fields of African literature, cultures and aesthetics.
Critical Engagements on African Literature
Beyond the critical examination of Isidore Diala’s award-winning poetry and drama, the essays in this collection offer fresh insights on the complex methodological and theoretical patterns underlying the readings of African literary landscapes. This is the first book to devote considerable attention to the study of Diala’s creative works The Pyre (drama) and The Lure of Ash (poetry). The majority of the contributors here are selected from among the finest of Diala’s former teachers, colleagues and students who know him very closely. The collection addresses fertile areas of African literary expression, such as the relationship between literature and national history, African ritual aesthetics; affirmation, denial and ambivalence as products of social constructions; and exile, migration and home-coming. Contributions also explore poetry and poetic truths; semiotics; anticolonial revolutions and postcolonial implosions; oil politics; discontent and militancy; and feminism and gender politics. The book stands out among its peers, and offers great insights to scholars, researchers and teachers working in the fields of African literature, cultures and aesthetics.
The Politics and New Humanism of André Brink
This book appraises André Brink’s reputation as an internationally acclaimed commentator on the enormities of the apartheid state and one of South Africa’s foremost novelists. Highlighting Brink’s enduring meditation on the writer’s responsibility to a society in a state of moral and political siege and his exemplary position in the interrogation of the subtle discursive strategies of the apartheid establishment, it refers extensively to Brink’s oeuvre, but focuses mainly on his first seven novels in English: The Ambassadors, Looking on Darkness, An Instant in the Wind, Rumours of Rain, A Dry White Season, A Chain of Voices and The Wall of the Plague. Aimed primarily at students of South Africa, it draws on postcolonial theory to examine the ideological implications of the Western aesthetic and intellectual background that nurtured Brink’s imagination, his fixation with the tragic vision, Christian theology, and existentialism, in the context of his professed political affiliations.
Of Minstrelsy and Masks
This collection is dedicated to a distinguished scholar and writer who for a quarter of a century wrote consistently on African literature and the arts and was a major voice in Nigerian literary circles. Ezenwa-Ohaeto made a mark in contemporary Nigerian poetry by committing pidgin to written form and, by so doing, introducing different creative patterns. He also saw himself as a 'minstrel', as someone who wanted to read, express and enact his work before an audience. First and foremost, however, Ezenwa-Ohaeto was someone who 'un-masked' ideas and meanings hidden in the folds of literary works and made them available to an international academic public. With his outstanding work on Chinua Ac...
War in African Literature Today
Since the second half of the twentieth century, no single phenomenon has marred the image and development of Africa more than senseless fratricidal wars which rapidly followed the political independence of nations. This issue of African Literature Today is devoted to studies of how African writers, as historical witnesses, have handled the recreation of war as a cataclysmic phenomenon in various locations on the continent. The contributors explore the subject from a variety of perspectives: panoramic, regional, national and through comparative studies. War has enriched contemporary African literature, but at what price to human lives, peace and the environment? ERNEST EMENYONU is Professor of the Department of Africana Studies University of Michigan-Flint. The contributors include: CHIMALUM NWANKWO, CHRISTINE MATZKE, CLEMENT A. OKAFOR, INIBONG I. UKO, OIKE MACHIKO, SOPHIE OGWUDE, MAURICE TAONEZVI VAMBE, ZOE NORRIDGE and ISIDORE DIALA. Nigeria: HEBN
Autobiography, Memory and Nationhood in Anglophone Africa
This book provides an important critical analysis of the autobiographies of nine major leaders of national liberation movements in Africa. By examining their self-narratives, we can better understand how decolonisation unfolded and how activist-politicians sought to immortalise their roles for posterity. Focusing on the autobiographies of Peter Abrahams, Albert Luthuli, Ruth First and Nelson Mandela (South Africa), Nnamdi Azikiwe (Nigeria), Kenneth Kaunda (Zambia), George Mwase (Malawi), Kwame Nkrumah (Ghana), Maurice Nyagumbo (Zimbabwe), and Oginga Odinga (Kenya), the book uncovers the social and cultural forces which galvanized the anti-colonial resistance movement in African societies. In...
Nelson Mandela: a Very Short Introduction
Very Short Introductions: Brilliant, Sharp, Inspiring A pathbreaking analysis of the relationship between Mandela the myth, and Mandela the historical figure, looking at the way images, stories, and politics have been combined to create the iconic image of Mandela that we know today. Boehmer explores the long trajectory of Mandela's life, explaining first the historical and political context of the struggle against apartheid in South Africa, and then the post-apartheid period of difficult reconciliation, including the shifts and changes in Mandela's reputation since the millennium. This innovative postcolonial reflection takes on board the more critical revisionist literature on Mandela that...
African Migration Narratives
Examines the representations of migration in African literature, film, and other visual media, with an eye to the stylistic features of these works as well as their contributions to debates on migration
Poetry, Print, and the Making of Postcolonial Literature
The book reveals how mid-twentieth-century African, Caribbean, Irish, and British poets profoundly affected each other in person and in print.
