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Once Upon a Kingdom
Using stories he collected from narrators from the old West African kingdom of Benin, the author shows how the present mirrors the past in both folklore and political reality, suggesting that African states fail to create a level playing field for the plural identities within their borders, leaving marginalized peoples uncertain of their place in an uneven socio-political landscape.
African Oral Literature
". . . its pages come alive with wonderful illustrative material coupled with sensitve and insightful commentary." —Reviews in Anthropology " . . . the scope, breadth, and lucidity of this excellent study confirm that Okpewho is undoubtedly the most important authority writing on African oral literature right now . . . " —Research in African Literatures "Truly a tour de force of individual scholarship . . . " —World Literature Today " . . . excellent . . . " —African Affairs " . . . a thorough synthesis of the main issues of oral literature criticism, as well as a grounding in experienced fieldwork, a wide-ranging theoretical base, and a clarity of argument rare among academics." —...
Call Me by My Rightful Name
A young African American falls into periodic spasms and chants a text that nobody understands. His troubled family seeks help. The text, recorded by a psychiatrist and deciphered by linguists, is found to be a corrupted family chant from the Yoruba of Nigeria. The doctor advises a trip to that ethnic region. The spiritual voices that have been summoning Otis finally bring him to the spot where his ancestor was enslaved over a century before. Two years on, armed with a recovered identity and a chastened wisdom, Otis returns to the U.S. to join the 1960s civil rights struggle.
The Victims
Okpewho's novel focuses on the life of a Nigerian villager who is tormented by two wives
Myth in Africa
In Africa the past and the present live very much side by side. African thinkers and intellectuals see their people's culture as rooted in time-honoured oral traditions and many African writers today use symbols, images and motifs from these traditions in their works. In this innovative study Dr Okpewho explores what he considers the essence of these traditions - myth - and examines its place in African life, literature and thought. Focusing on a number of tales from a selection of African countries, he shows myth to be the basic imaginative resource from which the larger cultural values derive. An established novelist as well as critic, Dr Okpewho discusses the narrative traditions of Africa - of which he continues to be a part - with balanced sympathy and objectivity. In this work he not only reasserts the pride in African traditions but also gives students of myth a fresh look at an old problem.
Myth in Africa
In Africa the past and the present live very much side by side. African thinkers and intellectuals see their people's culture as rooted in time-honoured oral traditions and many African writers today use symbols, images and motifs from these traditions in their works. In this innovative study Dr Okpewho explores what he considers the essence of these traditions - myth - and examines its place in African life, literature and thought. Focusing on a number of tales from a selection of African countries, he shows myth to be the basic imaginative resource from which the larger cultural values derive. An established novelist as well as critic, Dr Okpewho discusses the narrative traditions of Africa - of which he continues to be a part - with balanced sympathy and objectivity. In this work he not only reasserts the pride in African traditions but also gives students of myth a fresh look at an old problem.
The Epic in Africa
None
The Victims
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Tides
Set in Nigeria in 1975. When their Delta homeland is threatened, two journalists join forces in a project which brings them into tragic contact with security forces and dissidents alike.
