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Public Archaeology
This volume explores the relationship between archaeology and contemporary society, especially as it concerns local communities living day-to-day alongside archaeological heritage. The contributors come from a range of disciplines and offer inspiring views emerging from the marriage of archaeology with a number of other fields, such as economics, social anthropology, ethnography, public policy, oral history and tourism studies, to form the discipline of ‘public archaeology’. There is growing interest in investigating the meanings of archaeology assets and archaeological landscapes, and this volume targets these issues with case studies from Greece, Italy, Turkey and elsewhere. The book addresses both general readers and scholars with an interest in how archaeological assets affected by people’s understanding of landscape and identity. It also touches upon the roles played in these interactions by public policy, international conventions, market economies and theoretical frameworks of public archaeology.
Critical Public Archaeology
Critical approaches to public archaeology have been in use since the 1980s, however only recently have archaeologists begun using critical theory in conjunction with public archaeology to challenge dominant narratives of the past. This volume brings together current work on the theory and practice of critical public archaeology from Europe and the United States to illustrate the ways that implementing critical approaches can introduce new understandings of the past and reveal new insights on the present. Contributors to this volume explore public perceptions of museum interpretations as well as public archaeology projects related to changing perceptions of immigration, the working classes, and race.
Key Concepts in Public Archaeology
This book provides a broad overview of the key concepts in public archaeology, a research field that examines the relationship between archaeology and the public, in both theoretical and practical terms. While based on the long-standing programme of undergraduate and graduate teaching in public archaeology at UCL’s renowned Institute of Archaeology, the book also takes into account the growth of scholarship from around the world and seeks to clarify what exactly ‘public archaeology’ is by promoting an inclusive, socially and politically engaged vision of the discipline. Written for students and practitioners, the individual chapters provide textbook-level introductions to the themes, t...
Ethnographic Archaeologies
Ethnographic archaeology has emerged as a form of inquiry into archaeological dilemmas that arise as scholars question older, more positivistic paradigms. Ethnographic Archaeologies describes diverse methods, objectives, and rationalities currently employed in the making of engaged and collaborative archaeological research.The contributors to this volume, for example, understand ethnographic archaeology variously as a means of critical engagement with heritage stakeholders, as the basis of public-policy debates, as a critical archaeological study of ethnic groups, as the study of what archaeology actually does (as opposed to what researchers often think they are doing) in excavations and surveys, and as a foundation for transnational collaborations among archaeologists. What keeps the term "ethnographic archaeology" coherent and relevant is the consensus among practitioners that they are embarking on a new archaeological path by attempting to engage the present directly and fundamentally.
The Destruction of Cultural Heritage in Iraq
Discussion of the issues surrounding the destruction of cultural property in times of conflict has become a key issue for debate around the world. This book provides an historical statement as of 1st March 2006 concerning the destruction of the cultural heritage in Iraq. In a series of chapters it outlines the personal stories of a number of individuals who were - and in most cases continue to be - involved. These individuals are involved at all levels, and come from various points along the political spectrum, giving a rounded and balanced perspective so easily lost in single authored reports. It also provides the first views written by Iraqis on the situation of archaeology in Iraq under S...
The Duty to Obey the Law
The question, 'Why should I obey the law?' introduces a contemporary puzzle that is as old as philosophy itself. The puzzle is especially troublesome if we think of cases in which breaking the law is not otherwise wrongful, and in which the chances of getting caught are negligible. Philosophers from Socrates to H.L.A. Hart have struggled to give reasoned support to the idea that we do have a general moral duty to obey the law but, more recently, the greater number of learned voices has expressed doubt that there is any such duty, at least as traditionally conceived. The thought that there is no such duty poses a challenge to our ordinary understanding of political authority and its legitimacy. In what sense can political officials have a right to rule us if there is no duty to obey the laws they lay down? Some thinkers, concluding that a general duty to obey the law cannot be defended, have gone so far as to embrace philosophical anarchism, the view that the state is necessarily illegitimate. Others argue that the duty to obey the law can be grounded on the idea of consent, or on fairness, or on other ideas, such as community.
Methods and Aims in Archaeology
Petrie's classic work of 1904 outlines his rigorous archaeological processes, including excavation techniques and the management of workers.
Leaving the 20th Century
The first Situationist text to be published in the UK in 1974, ‘Leaving the 20th Century’ was Chris Gray and the English situationists’ attempt to capture and distil the vibrant anti-art, anti-capitalist energy of the original International Situationist texts (1957-74). With its loose translations and irreverent commentary, Gray and co. attempted to capture the “terrorism, wit and general megalomania” of the original publications, whilst faithfully reprinting the “photographs of girls, soldiers, bombings, comic-strip frames, maps of cities and diagrams of labyrinths, cathedrals and gardens.” From the art/anti-art beginnings, to the role of the Situationists in the worker-student insurrection of May 68’, ‘Leaving the 20th Century’ remains the definitive English pro-situ text.
