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Mahmud Pasha Angelovic served as Grand Vezir under Sultan Mehmed II, in the years following the Ottoman conquest of Constantinople, which were marked by an extensive imperial project, transforming the Ottoman principality into an empire. This book attempts to piece together the available evidence on Mahmud Pasha's Byzantine descent and family network, as well as his multi-faceted contribution to the founding of the new empire, through military leadership, diplomatic practices and architectural and literary patronage, considering also his execution and the creation of a posthumous legend presenting him as a martyr. Using Ottoman, Greek and Western sources, as well as archival material, this study focuses on the period of transition from Byzantine to Ottoman Empire and would be of interest to historians and other specialists studying that period.
After the Justice and Development Party (AKP) came to power in Turkey in 2002, the AKP grew into an authoritarian government as it politically and culturally oppressed citizens and institutions. In Struggle and Survival under Authoritarianism in Turkey: Theatre under Threat, Burcu Yasemin Şeybenargues thattheatre was deliberately targeted because theatre institutions and companies embodied the cultural program of the statist and Kemalist cultural policy that has continually excluded Muslims and various religious and ethnic minorities. Although the AKP claimed to be replacing the top-down, discriminatory, and secular statist and Kemalist theatre system with a facilitative and inclusive one, the AKP gradually adapted a more authoritarian system, as evidenced by their efforts to close and defund theatres, ban plays, and force theatre artists to exile. Despite the AKP’s increasing oppression, Şeybenstudies contemporary Turkish theatre to establish that a few theatre institutions, companies, and artists have managed to survive and develop democratic cultural policies and strategies that will outlive the AKP government.
In Making Sense of History: Narrativity and Literariness in the Ottoman Chronicle of Naʿīmā, Gül Şen offers the first comprehensive analysis of narrativity in the most prominent official Ottoman court chronicle
A fascinating and vivid picture of the perils and promises of nocturnal life in cities in the early modern Middle East.
WITH A FOREWORD BY N.S. MADHAVAN Seetha, an Indian national and a student at the University of Barcelona, arrives in Diyarbakir, Turkey, in search of her Kurdish lover Devran. Having just found out that she is pregnant, she is desperate to find Devran, who has mysteriously vanished. Seetha discovers some disturbing truths upon her arrival. The state is trying to trap Devran and his family for alleged terrorist links. The region is in the midst of a harrowing conflagration, where state-sponsored killings, enforced disappearances, political vendettas and torture cells are the norm. Seetha herself comes under surveillance of the Turkish security forces, who take her into custody and brutally to...
The father of the legendary Ottoman sultan Suleyman the Magnificent, Selim I ("The Grim") set the stage for centuries of Ottoman supremacy by doubling the size of the empire. Conquering Eastern Anatolia, Syria, and Egypt, Selim promoted a politicized Sunni Ottoman* identity against the Shiite Safavids of Iran, thus shaping the early modern Middle East. Analyzing a wide array of sources in Ottoman-Turkish, Persian, and Arabic, H. Erdem Cipa offers a fascinating revisionist reading of Selim's rise to power and the subsequent reworking and mythologizing of his persona in 16th- and 17th-century Ottoman historiography. In death, Selim continued to serve the empire, becoming represented in ways that reinforced an idealized image of Muslim sovereignty in the early modern Eurasian world.
Tarihi tarzda yazılmış farklı roman türlerinin özetleri..Sizlere daha faydalı ve daha fazla kitaplar sunabilmek adına ücretli eserlerimizden birini de almanız bizleri gereğinden fazla motive edecektir. Ücretsiz yayınlarımız devam edecektir. Şimdiden iyi okumalar dileğiyle..
Dil sonradan öğrenilen bir iletişim aracı olduğu gibi duygu, düşün- ce ve isteklerin özgürce aktarılma biçimi olarak bilinmektedir. Yazar ve şairler dili kullanarak duygu ve düşüncelerini kendi örf, gelenek ve inançları doğrultusunda kaleme alarak yapıtlar ortaya koymuş- lardır. Mutluluğun, hüznün, öfkenin isyanın, kabulün, şükrün ve daha nice temaların barındırıldığı eserler, dünyaca tanınmış simalar tarafından edebi- yat camiasına kazandırılmıştır. Çalışmamızda Doğu ve Batı edebiyatının bilinen şahsiyetlerinin eserle- ri, saygıdeğer hocalarımız ve araştırmacılar tarafından ele alınmak suretiyle incelenerek bir çatı altı...