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Israeli Writers Consider the "outsider"
A society can be judged by its attitude to those who are outside or disadvantaged by reason of class, sex, race, language, background, disability, and so on. This volume seeks to address the models of otherness that exist in Israeli literature.
1948 and After
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The Boom in Contemporary Israeli Fiction
Five essays explore facets of what Mintz calls the complexity of cultural reverberations in Israeli fiction of the past two decades.
Since 1948
2021 CHOICE Outstanding Academic Title Toward the end of the twentieth century, an unprecedented surge of writing altered the Israeli literary scene in profound ways. As fresh creative voices and multiple languages vied for recognition, diversity replaced consensus. Genres once accorded lower status—such as the graphic novel and science fiction—gained readership and positive critical notice. These trends ushered in not only the discovery and recovery of literary works but also a major rethinking of literary history. In Since 1948, scholars consider how recent voices have succeeded older ones and reverberated in concert with them; how linguistic and geographical boundaries have blurred; how genres have shifted; and how canon and competition have shaped Israeli culture. Charting surprising trajectories of a vibrant, challenging, and dynamic literature, the contributors analyze texts composed in Hebrew, Yiddish, and Arabic; by Jews and non-Jews; and by Israelis abroad as well as writers in Israel. What emerges is a portrait of Israeli literature as neither minor nor regional, but rather as transnational, multilingual, and worthy of international attention.
Beyond Sequence
A collection of essays, some of them published previously. Ch. 5 (pp. 63-73), "Jews or Israelis? Victims and Oppressors in David Grossman" (presented at the "Remembering for the Future" conference, Oxford, 1988), deals with the theme of the Holocaust in Grossman's novel "See Under: Love", in which the Polish Jewish writer Bruno Schulz (killed by the Nazis) became a mythical character. Ch. 6 (pp. 75-93), "Perspectives on the Holocaust", discusses the same theme in Israeli literature (e.g. Ka-Tzetnik, Yehoshua Sobol) compared with the presence of the Holocaust in the works of American and European writers, such as Saul Bellow, William Styron, Isaac Bashevis Singer, Primo Levi, and Elie Wiesel.
Studies in the History of Russian-Israeli Literature
This collection of essays covers a hundred-year history of Russian-language literature in Israel, including the pre-state period. Some of the studies are devoted to an overview of the literary process and the activities of its participants, others—to individual genres and movements. As a result, a complex and multifaceted picture emerges of a not quite fully defined, but very lively and dynamic community that develops in the most difficult conditions. The contributors trace the paths of Russian-Israeli prose, poetry and drama, various waves of avant-garde, fantasy, and critical thought. Today, in Russian-Israeli literature, the voices of writers of various generations and waves of repatriation are intertwined: from the "seventies" to the "war aliyah" of the recent times. Both the Russian-Israeli authors and their critics often hold different opinions of their respective roles in Israel’s historical and literary storms. While disagreeing on the definition of their place on the map of modern culture, Russian-Israeli writers are united by a shared bond with the fate of the Jewish state.
Translating Israel
Reflects the rise of literature in modern-day Israel and the problematic reception of literature in America and within the American Jewish community. Israeli literature provides a unique lens for viewing th~ inner dynamics of this small but critically important society. In addition, its leading writers such as S. Y. Agnon, Yehuda Amichai, Amos Oz, and A. B. Yehoshua, among others, are recognized internationally as major world literary figures. Despite this international recognition, the rich literary tradition of Israeli literature has failed to reverberate and find significant readership or a following in America even among the American Jewish community. Alan L. Mintz traces the reception of Israeli literature in America from the 1970s to the present. He analyzes the influences that have shaped modern Israeli literature and reflects on the cultural differences that have impeded American and American Jewish appreciation of Israeli authors. Mintz then turns his attention to specific writers, examining their reception or lack thereof in America and places them within the emerging unfolding critical dialogue between the Israeli and American literary culture.
Modern Hebrew Literature
"Mendele Mocher Sforim. Shem and Japheth on the train.--Peretz, Y. L. Scenes from Limbo.--Feierberg, M. Z. In the evening.--Ahad Ha-Am. Imitation and assimilation.--Bialik, H. N. The short Friday. Revealment and concealment in language.--Brenner, Y. H. The way out.--Barash, A. At heaven's gate.--Agnon, S. Y. Agunot. The lady and the peddler. At the outset of the day. Forevermore.--Hazaz, H. Rahamim. The sermon.--Yizhar, S. The prisoner.--Amichai, Y. The times my father died.--Oz, A. Before his time.--Yehoshua, A. B. Facing the forests."
Identity and Modern Israeli Literature
This book explores through literature the long and complex evolution of Jewish identity in Israel and the central role that language, ideology, memory, and culture have played in that journey. Language is possibly the most important component of any collective identity. Indeed, any nation can be better understood through its imaginative literature and never more so than in the case of Israeli literature, whose story runs in parallel with that of the State of Israel and with Zionism. The political task of nationalism directed the course of Israeli literature into a distinct national literature and in turn the literature participated in the formation of the nation. Language became inseparable from identity. But whose Hebrew is it? Through key texts by such authors as Y. H. Brenner, S. Y. Agnon, Nathan Shaham, Yoram Kaniuk, Aharon Appelfeld, A. B. Yehoshua, Gabriela Avigur-Rotem and Sami Michael, Risa Domb explores the connections between language, ideology, memory, culture, and identity, and asks whether ideology and identity are on an inescapable collision course.
Israel in Exile
Israel in Exile is a bold exploration of how the ancient desert of Exodus and Numbers, as archetypal site of human liberation, forms a template for modern political identities, radical skepticism, and questioning of official narratives of the nation that appear in the works of contemporary Israeli authors including David Grossman, Shulamith Hareven, and Amos Oz, as well as diasporic writers such as Edmund Jabès and Simone Zelitch. In contrast to other ethnic and national representations, Jewish writers since antiquity have not constructed a neat antithesis between the desert and the city or nation; rather, the desert becomes a symbol against which the values of the city or nation can be tested, measured, and sometimes found wanting. This book examines how the ethical tension between the clashing Mosaic and Davidic paradigms of the desert still reverberate in secular Jewish literature and produce fascinating literary rewards. Omer-Sherman ultimately argues that the ancient encounter with the desert acquires a renewed urgency in response to the crisis brought about by national identities and territorial conflicts.
