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İFSAK Fotoğraf ve Sinema Dergisi
  • Language: tr
  • Pages: 146

İFSAK Fotoğraf ve Sinema Dergisi

İFSAK Fotoğraf ve Sinema Dergisi, her sayısında bir dosya konusunu ele alarak bu konu üzerinde akademisyen, fotoğraf ve sinema yazarlarının yazılarına yer verir.

İFSAK Fotoğraf ve Sinema Dergisi
  • Language: tr
  • Pages: 146

İFSAK Fotoğraf ve Sinema Dergisi

İFSAK Fotoğraf ve Sinema Dergisi, her sayısında bir dosya konusunu ele alarak bu konu üzerinde akademisyen, fotoğraf ve sinema yazarlarının yazılarına yer verir.

İFSAK Fotoğraf ve Sinema Dergisi
  • Language: tr
  • Pages: 51

İFSAK Fotoğraf ve Sinema Dergisi

İFSAK Fotoğraf ve Sinema Dergisi, her sayısında bir dosya konusunu ele alarak bu konu üzerinde akademisyen, fotoğraf ve sinema yazarlarının yazılarına yer verir.

İFSAK Fotoğraf ve Sinema Dergisi
  • Language: tr
  • Pages: 51

İFSAK Fotoğraf ve Sinema Dergisi

İFSAK Fotoğraf ve Sinema Dergisi, her sayısında bir dosya konusunu ele alarak bu konu üzerinde akademisyen, fotoğraf ve sinema yazarlarının yazılarına yer verir.

İFSAK Fotoğraf ve Sinema Dergisi
  • Language: tr
  • Pages: 148

İFSAK Fotoğraf ve Sinema Dergisi

İFSAK Fotoğraf ve Sinema Dergisi, her sayısında bir dosya konusunu ele alarak bu konu üzerinde akademisyen, fotoğraf ve sinema yazarlarının yazılarına yer verir.

Tam adları ile iki yönlü kısa adlar sözlüğü
  • Language: tr
  • Pages: 404

Tam adları ile iki yönlü kısa adlar sözlüğü

Abbreviations of organizations and societies; Turkey; dictionary.

Reinventing Cinema
  • Language: en
  • Pages: 229

Reinventing Cinema

For over a century, movies have played an important role in our lives, entertaining us, often provoking conversation and debate. Now, with the rise of digital cinema, audiences often encounter movies outside the theater and even outside the home. Traditional distribution models are challenged by new media entrepreneurs and independent film makers, usergenerated video, film blogs, mashups, downloads, and other expanding networks. Reinventing Cinema examines film culture at the turn of this century, at the precise moment when digital media are altering our historical relationship with the movies. Spanning multiple disciplines, Chuck Tryon addresses the interaction between production, distribution, and reception of films, television, and other new and emerging media.Through close readings of trade publications, DVD extras, public lectures by new media leaders, movie blogs, and YouTube videos, Tryon navigates the shift to digital cinema and examines how it is altering film and popular culture.

Women Photographers
  • Language: en
  • Pages: 270

Women Photographers

  • Type: Book
  • -
  • Published: 1990
  • -
  • Publisher: ABRAMS

"The two hundred pictures reproduced here are arranged chronologically and sequenced visually. Most photographers are represented with several works, which meant exluding others who would have been part of a broader survey. I chose to emphasize a particular period of work or series by earch rather than attempting, with so few examples, to outline the scope of a unique accomplishment or describe the visual ideas explored throughout a lifetime."--Préface.

Tanpinar's Five Cities
  • Language: en
  • Pages: 249

Tanpinar's Five Cities

  • Type: Book
  • -
  • Published: 2018-11-15
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  • Publisher: Anthem Press

Ahmet Hamdi Tanpinar's ‘Five Cities’ was first published in Turkish as ‘Beş Şehir’ in 1946 and revised in 1960. It consists of five essays, each focused on a city significant in Anatolian history and in Tanpinar's emotional life. Part history, part autobiography, part poetic meditation on time and memory, ‘Five Cities’ is Proustian in style, with a tension between a backward-looking melancholy and a concern for the unpredictable future of the author’s country. Comparable to Nobel Laureate Orhan Pamuk’s ‘Istanbul: Memories of a City’, ‘Five Cities’ emphasizes personal attitudes and reactions but has a wider scope of geography, history and culture.

The Voice of the Past
  • Language: en
  • Pages: 505

The Voice of the Past

He discusses the reliability of oral evidence in comparison with other sources and considers the social context of its development. He looks at the relationship between memory, the self and identity. He traces oral history through its own past and weighs up the recent achievements of a movement which has become international, with notably strong developments in North America, Europe, Australia, Latin America, South Africa and the Far East, despite resistance from more conservative academics. This new edition combines the classic text of The Voice of the Past with many new sections, including especially the worldwide development of different forms of oral history and the parallel memory boom, as well as discussions of theory in oral history and of memory, trauma and reconciliation.