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Eastern Europe
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Traditions in World Cinema
The core volume in the Traditions in World Cinema series, this book brings together a colourful and wide-ranging collection of world cinematic traditions - national, regional and global - all of which are in need of introduction, investigation and, in some cases, critical reassessment. Topics include: German expressionism, Italian neorealism, French New Wave, British new wave, Czech new wave, Danish Dogma, post-Communist cinema, Brazilian post-Cinema Novo, new Argentine cinema, pre-revolutionary African traditions, Israeli persecution films, new Iranian cinema, Hindi film songs, Chinese wenyi.
The Great Escape
Extravagantly praised by critics and readers, this stunning story by bestselling author Kati Marton tells of the breathtaking journey of nine extraordinary men from Budapest to the New World, what they experienced along their dangerous route, and how they changed America and the world. This is the unknown chapter of World War II: the tale of nine men who grew up in Budapest's brief Golden Age, then, driven from Hungary by anti-Semitism, fled to the West, especially to the United States, and changed the world. These nine men, each celebrated for individual achievements, were part of a unique group who grew up in a time and place that will never come again. Four helped usher in the nuclear age and the computer, two were major movie myth-makers, two were immortal photographers, and one was a seminal writer. The Great Escape is a groundbreaking, poignant American story and an important untold chapter of the tumultuous last century.
Nonfiction Film
"Richard Barsam has given us as comprehensive a study of the origins and development of the nonfiction mode in motion pictures as we are ever likely to have in one volume. He draws on all the major written sources and many which are little known, and he shares with us many eloquent descriptions of the films themselves, giving us a valuable textbook." --Richard Dyer MacCann "... superb work... " --Historical Journal of Film, Radio, and Television
The Immortal Count
" John D. Imboden is an important but often overlooked figure in Civil War history. With only limited militia training, the Virginia lawyer and politician rose to the rank of brigadier general in the Confederate Army and commanded the Shenandoah Valley District, which had been created for Stonewall Jackson. Imboden organized and led the Staunton Artillery in the capture of the U.S. arsenal at HarperÕs Ferry. He participated in the First Battle of Bull Run/Manassas and organized a cavalry command that fought alongside Stonewall Jackson in his Shenandoah Valley Campaign. The Jones/Imboden Raid into West Virginia cut the Baltimore & Ohio Railroad and ravaged the Kanawha Valley petroleum fields...
Constructivism in Film - A Cinematic Analysis
Vlada Petric explicates the cinematic text of one of the most famous works of avant-garde nonfiction film, Dziga Vertov's Man with a Movie Camera
World Cinema
Hungarian cinema began in cafes, and short films were projected at the Velence coffee-house in Budapest in the late 1890s. By 1912, a distinct film culture had formed in Hungary, which - unlike the imported American popular entertainment cinema - throughout its history has shown a commitment to the idea of film as art. This new book is a detailed historical, critical and appreciative account of the Hungarian cinema from its early days to the transforming 1990s, and provides an extended analysis of some 50 directors and their key films. It describes the ways in which the industry has developed, largely with the assistance of the state, especially since the Second World War, and shows how the Hungarian cinema has achieved an international success out of all proportion to its size, and despite the potential obstructions of language and culture. The author concludes with a survey of recent filmmaking activities, and a look towards the future in rapidly changing Eastern Europe. This book will appeal to all those interested in Hungarian and Eastern European film and history.
The Kingdom of Hungary and the Habsburg Monarchy in the Sixteenth Century
Géza Pálffy traces the complex relations between Hungary and the Habsburgs, including the integration of the country into a conglomerate central European state ruled from Vienna and Prague. Focusing on institutions and symbols of sovereignty, Pálffy demonstrates how Hungary was integrated into a larger monarchy yet at the same time preserved its independence and the power and influence of its upper estates. Her argument challenges the traditional view that early-modern Hungary resisted and rebelled against the Hapsburgs.
