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Italian Women and the City
Studies of the city, and of women's experiences of the city, have focused primarily on modern times, especially as modernism was defined in large part by urban life. Italy, however, has a long history of urban-centered culture, and women have been a vocal part of that culture since the Renaissance. This volume, therefore, looks at the art and literature of both earlier and more modern periods to investigate the meanings of the city for Italian women, the intensely gendered meanings (for both sexes) of those city spaces that excluded women, and the conditions that permitted a limited permeability of gendered boundaries. Two aspects to the combination of "women" and "city" are salient to these...
The Italian Novella
The novella influenced later writers both in Italy and abroad; Chaucer, Shakespeare, Cervantes, and Lope de Vega reworked and retold basic novella plots and narrative situations.".
Sketches of Etruscan Places and Other Italian Essays
Seven essays D. H. Lawrence wrote after visiting Etruscan cities in central Italy.
Humanism, Venice, and Women
Originally published between 1975 and 2003, the essays included in Humanism, Venice, and Women reflect Margaret L. King's distinct but interlocking scholarly interests: humanism and Venice; women and humanism; and women of the Italian Renaissance. The first part focuses on defining the key characteristics of Venetian as opposed to other Italian humanisms, with an analysis of Gramscian theory about the historical role of intellectuals as an aid to understanding humanism in Venice, followed by essays on three Venetian humanists who wrote about family relationships (or the need to avoid them). The third section introduces the major Renaissance women humanists and analyzes the relation of their work to that of male humanists, along with an essay on Renaissance mothers of sons, in Italy and beyond. Crossing boundaries of region and gender, and the subdisciplines of intellectual and social history, these essays are provocative in themselves while demonstrating how shifting historiographical contexts encourage scholars to view the historical record in new and fruitful ways.
Essays on Italian Poetry and Music in the Renaissance, 1350-1600
These essays illuminate the changing nature of text-music relationships from the time of Petrarch to Guarini and, in music, from the madrigals of Giovanni da Cascia to those of Gesualdo da Venosa. Haar traces a line of development from the stylized rhetoric of Trecento song through the popularizing trends of Quattrocento music and on to the union of verbal and musical cadence that marked the high Renaissance in sixteenth-century Italian music.
Twilight in Italy and Other Essays
The first critical edition of D. H. Lawrence's 1912-16 essays. Lawrence left England for the first time in May 1912, and began to record his reactions to foreign cultures. In 1915 he amplified some of these essays and wrote others for Twilight in Italy (1916), his first travel book.
Encyclopedia of the Essay
This groundbreaking new source of international scope defines the essay as nonfictional prose texts of between one and 50 pages in length. The more than 500 entries by 275 contributors include entries on nationalities, various categories of essays such as generic (such as sermons, aphorisms), individual major works, notable writers, and periodicals that created a market for essays, and particularly famous or significant essays. The preface details the historical development of the essay, and the alphabetically arranged entries usually include biographical sketch, nationality, era, selected writings list, additional readings, and anthologies
