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This book brings us to the very core of the debates about nations and nationalism. It presents a microhistory of Ivan Franko (1856-1916), a prolific writer and political activist, who was an indisputable leader in forging a modern Ukrainian identity in the late Habsburg Galicia.
"Faces of Hardship" is an anthology of short stories and novellas by Ukrainian writer, translator, and political activist Ivan Franko, showing the unpopular, uncomfortable, and unattractive sides of life in late 19th - early 20th century Ukraine and Russia in vivid color.
Throughout the nineteenth century the province of Galicia was noted for political conflicts and the cultural vibrancy of its three major national groups: Poles, Ukrainians, and Jews. This volume brings together for the first time eleven essays on various aspects of the last seventy-five years of Austrian Galicia's existence.
Courage and Fear is a study of a multicultural city in times when all norms collapse. Ola Hnatiuk presents a meticulously documented portrait of Lviv’s ethnically diverse intelligentsia during World War Two. As the Soviet, Nazi, and once again Soviet occupations tear the city’s social fabric apart, groups of Polish, Ukrainian, and Jewish doctors, academics, and artists try to survive, struggling to manage complex relationships and to uphold their ethos. As their pre-war lives are violently upended, courage and fear shape their actions. Ola Hnatiuk employs diverse sources in several languages to tell the story of Lviv from a multi-ethnic perspective and to challenge the national narratives dominant in Central and Eastern Europe.
Twenty-five tales, including elements of Ukrainian folklore, relate the adventures of the wily Fox Mykyta who relies on his wits to outwit his enemies.
In 2022, Russia heightened its initial 2014 assault and launched its imperialist full-scale war against Ukraine. The Kremlin continued to perpetrate its denial of Ukrainians as a nation distinct from the Russians. Russia’s Denial of Ukraine: Letters and Contested Memory explores the gradual and long-lasting integration of contested memory in the cultural memory of Ukraine. It emphasizes how narratives, which formed the contested memory in the nineteenth century, appeared to come to the fore with the onset of the Russo-Ukrainian War. At the same time, it offers the theoretical premise for exploring contested memory, social forgetting, and remembering. The ambivalent nature of contested memo...