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MusiCS em Perspectivas traz quinze artigos demonstrativos da diversidade da produção acadêmica dos integrantes do grupo de pesquisa MusiCS - Música, Cultura e Sociedade (UDESC/CNPq), contemplando temas transversais e interdisciplinares, perpassados pelas principais atividades musicais - poética (composição), prática (interpretação e performance) e teoria (musicologia e história) - e pela perspectiva da temporalidade na interação com a cultura e a sociedade.
O objetivo desta obra é demonstrar o alcance do pensamento de Heinrich Schenker no Brasil. O levantamento realizado obedece a três eixos básicos: 1. O trabalho do professor Georg Wassermann, aluno de Schenker, no Rio de Janeiro, entre os anos de 1941 e 1968; 2. Jamary Oliveira e Cristina Gerling, o início da introdução da teoria de Schenker nas Universidades Públicas do Brasil; e 3. O ensino da teoria de Schenker nas Universidades Públicas do Brasil e os livros publicados por autores brasileiros sobre a análise schenkeriana. As metodologias envolvidas na pesquisa incluíram verificação em documentos de época, bibliotecas de teses e dissertações, repositórios digitais de univer...
This comprehensive history of the church in Latin America, with its emphasis on theology, will help historians and theologians to better understand the formation and continuity of the Latin American tradition.
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Includes entries for maps and atlases.
Prefeitura do distrito.
Heinrich Schenker is regarded as one of the leading music theorists of the twentieth century. The Masterwork in Music was written in three volumes between 1925 and 1930 and is distinguished from earlier writings by its depth of vision, demonstrated here both graphically and verbally. Although the concept of structural hierarchy is already present in Der Tonwille (1921-4), the idea of a network of layers becomes particularly prominent in Das Meisterwerk. This volume contains a major essay on Mozart's Symphony No. 40 in G minor and other studies of Bach keyboard and solo cello works, Haydn and Reger, as well as theoretical writings on sonata form and fugue and Schenkerian theory. These essays are translated by a team of specialists with ample editoral annotations including comparisons with earlier and later writings.
The essays contained in this volume provide a focus on the work of the music theorist Heinrich Schenker - a figure of legendary status who has had an incalculable influence on developments in music theory and analysis in this century. His theories, not always fully understood, have aroused some controversy. The broad spectrum of essays presented here will help clarify Schenker's ideas and their application and will also serve as a useful introduction to his work for music theorists. The essays, written by fourteen leading theorists, originate in papers delivered at the Schenker Symposium held at The Mannes College of Music, New York in 1985.
Laws, decrees, and administrative acts of government.