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Pure Form
Ivan Rijavec is an Australian architect, based in Melbourne, who continues to produce work that astounds both his peers and the wider commuinity. Though commentators find it difficult to categorise and explain his work, images are the most reliable source with which to describe it - are only a few of the terms that have been used to describe the work of this remarkable architect. Rijavec likens the design process to a movie: I see my work a a strip of film that keeps changing in the viewers mind. The appearance changes according to one's vantage point, giving inner life to the structure. If only all movies were this good.
Architects for the New Millennium
A celebration of architecture from around the world profiling todays leading firms. The top one hundred firms.
Fluid City
Fluid City traces the transformation of the urban waterfront of Melbourne, the re-vitalization of the Yarra River waterfront, Melbourne Docklands and Port Philip Bay. As the financial and industrial centre of Australia, in the late nineteenth century, Melbourne developed a new world exuberance. Yet the twentieth century saw Melbourne suffering from a declining industrial and economic base. The city in the 1980s was de-industrialising, and the re-facing of the city to the water was a key urban strategy of the 1980s and 90s and a catalyst for economic transformation. This book bridges significant gaps between different discourses about the city and to challenge singular ways of viewing the city.
Stranger Cities: Australian Creation and the Ambidextrous Mind, a Profile of Portal Modernity
Stranger Cities explores the metaphysics of Australian society and the clash between its competing strands of romantic culture and classic civilization. The social expression, artistic resonance, economic significance, civic character, historic phases, mythic representations, creative antinomies, and imaginative contribution of these metaphysical fundamentals form the background of Australia’s distinctive urban civilization with its bustling stranger populations, ocean-facing portal cities, revealing art and architecture, and cyclical worlds of markets and industries, war and peace. Murphy portrays a classic eudemonic society whose dominant ethos of phlegmatic happiness vies with a subsidiary current of melancholic and choleric romanticism.
Transition
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Chess Results, 1951-1955
This comprehensive chronological reference work lists the results of men's chess competitions all over the world--individual and team matches, from 1951 through 1955--with sources. Entries record location and, when available, the group that sponsored the event. First and last names of players are included whenever possible and are standardized for easy reference. Compiled from contemporary sources such as newspapers, periodicals, tournament records and match books, this work contains 1,620 tournament crosstables and 144 match scores. It is indexed by events and by players.
Musical Modernism in Global Perspective
In the first study of the global dimensions of musical modernism, Björn Heile proposes a novel theory according to which musical modernism is constituted by a global diasporic network of composers, musicians and institutions. In a series of historical and analytical case studies from different parts of the world, this book overcomes the respective limitations of both Eurocentric and postcolonial, revisionist accounts, focusing instead on the transnational entanglements between the West and other world regions. Key topics include migration, the transnational reception and transfer of musical works and ideas, institutions such as the International Society for Contemporary Music (ISCM) and composers who are rarely discussed in Western academia, such as the Nigerian-born Akin Euba and the Korean-German Younghi Pagh-Paan. Influenced by the interdisciplinary notion of 'entangled histories', Heile critiques established dichotomies, all the while highlighting the unequal power relations on which the existing global order is founded.
By Practice, by Invitation
Design Practice Research at RMIT University is a longstanding program of research into what venturous designers actually do when they design. It is probably the most enduring and sustained body of research of its kind: empirical, evidence-based and surfacing evidence about design practice. This first Pink Book documents some of its past achievements. It is probably the most enduring and sustained body of research of its kind: empirical, evidence-based and surfacing evidence about design practice. It is a growing force in the world, with a burgeoning program of research in Asia, Oceania and Europe. This book documents some of its past achievements. Two kinds of knowledge are created by the research. One concerns the ways in which designers marshal their intelligence, especially their spatial intelligence, to construct the mental space within which they practice design. The other reveals how public behaviours are invented and used to support design practice. This new knowledge combined is the contribution that this research makes to the field of design practice research.
