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Originally published in 1985, Liberated Cinema: The Yugoslav Experience received the first annual "Close-up" award from the Yugoslav Film Institute in 1986 for "outstanding scholarship and for promoting the values of Yugoslav film art internationally." This new edition has been revised and updated throughout. It has been expanded to complete the story of the new Yugoslav cinema of the 1980s and to address major film developments that have taken place in the former Yugoslavia's five successor states. As in his analysis of past periods of Yugoslav cinema, Goulding situates the most recent developments within the context of film economics, state subsidies, and changing patterns of political control. Most significantly, however, he provides an insightful discussion of the ways in which critically important domestic feature films produced or co-produced from 1991 to 2001 reflect on recent brutal internecine warfare and other contemporary social, cultural, and political realities after the breakup of Yugoslavia.
From the ashes of former Yugoslavia an independent Croatian state has arisen, the fulfillment, in the words of President Franjo Tudjman, of the Croats' "thousand-year-old dream of independence." Yet few countries in Europe have been born amid such bitter controversy and bloodshed: the savage war between pro-independence forces and the Yugoslav army left about one-third of the country in ruins and resulted in the flight of a quarter of a million of the country's Serbian minority.In this book an eyewitness to the breakup of Yugoslavia provides the first full account of the rise, fall, and rebirth of Croatia from its medieval origins to today's tentative peace. Marcus Tanner describes the creat...
This book examines Yugoslavia's efforts to build and maintain a relationship with its migrant workers in Western Europe through cultural and educational programs.
Disintegration in Frames explores the relationship between aesthetics and ideology in the Yugoslav and post-Yugoslav cinema, with emphasis on issues of nationalism, internationalism, and interethnic relations.
The burgeoning scholarship on Western health films stands in stark contrast to the vacuum in the historical conceptualization of Eastern European films. This book develops a nonlinear historical model that revises their unique role in the inception of national cinematography and establishing supranational health security. Readers witness the revelation of an unknown history concerning how the health films produced in Eastern European countries not only adopted Western patterns of propaganda but actively participated in its formation, especially with regard to those considered “others”: Women and the populations of the periphery. The authors elaborate on the long “echo” of the discurs...
Utting recent events in broad historical perspective, this volume looks at the situation in Croatia, discusses the political and economic developments that have taken place since 1991 and 1998 and explores the daily life and major cities of its people.