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Iconographic Exegesis of the Hebrew Bible / Old Testament
Iconographic exegesis combines the study of biblical texts (exegesis) with the study of ancient expressions of visual art (iconography). Studying ancient visual art that is contemporary with the documents of the Old Testament gives remarkable insight, not only on the meaning and historical context of the biblical text, but also because it facilitates greater understanding of how the ancient authors and audiences saw, thought, and made sense of the world. Iconography thus merits close attention as another avenue that can lead to a more nuanced and more complete understanding of the biblical text. Each chapter of this book provides an exegesis of a particular biblical text or theme. The book i...
Iconographic Exegesis and Third Isaiah
Although scholars employ pictorial material in biblical exegesis, the question of how images from the Ancient Near East can contribute to a better understanding of the Bible has been left unanswered. This is the first monograph to outline a historical method for iconographic exegesis. The methodological study includes both responses to important theoretical questions such as What is an image? and What is culture? and an interdisciplinary exploration of issues of history, art history, archaeology and cultural anthropology. The three-stage method proposed is embedded in hermeneutical and exegetical reflections. The application of iconographical exegesis to the interpretation of metaphors is also considered. In demonstrating the method and its application, Izaak J. de Hulster focuses on Third Isaiah and develops three iconographical exegetical studies on yad in Isaiah 56:5, light in Isaiah 60 and grape processing in Isaiah 63.
Image, Text, Exegesis
Images from the ancient Near East are an important though generally underutilized source of data for interpreting the Hebrew Bible and the cultural context from which it emerged. The essays in this volume highlight the ways that ancient Near Eastern iconography can inform exegesis. This aim is accomplished through case studies in iconographic exegesis that exhibit sound methodologies for relating images and texts. Since the 1970s, biblical scholars have been turning increasingly to iconography as a source for understanding the religion, history and literature of the ancient Near East. The essays in this volume tackle two thorny issues: 1) how images reflect the cultures that produce them and 2) the nature of the relationship between images and texts, both within discrete cultures and among different cultures. Until now, there have been relatively few methodologically self-conscious treatments of ancient iconography and its relationship to the biblical text. So this volume addresses a clear need for demonstrating transparent and consistent methods for iconographic work among biblical scholars.
Iron Age Terracotta Figurines from the Southern Levant in Context
This interdisciplinary volume is a ‘one-stop location’ for the most up-to-date scholarship on Southern Levantine figurines in the Iron Age. The essays address terracotta figurines attested in the Southern Levant from the Iron Age through the Persian Period (1200–333 BCE). The volume deals with the iconography, typology, and find context of female, male, animal, and furniture figurines and discusses their production, appearance, and provenance, including their identification and religious functions. While giving priority to figurines originating from Phoenicia, Philistia, Jordan, and Israel/Palestine, the volume explores the influences of Egyptian, Anatolian, Mesopotamian, and Mediterranean (particularly Cypriot) iconography on Levantine pictorial material.
Aramaic
In this volume—the first complete history of Aramaic from its origins to the present day—Holger Gzella provides an accessible overview of the language perhaps most well known for being spoken by Jesus of Nazareth. Gzella, one of the world’s foremost Aramaicists, begins with the earliest evidence of Aramaic in inscriptions from the beginning of the first millennium BCE, then traces its emergence as the first world language when it became the administrative tongue of the great ancient Near Eastern empires. He also pays due diligence to the sacred role of Aramaic within Judaism, its place in the Islamic world, and its contact with other regional languages, before concluding with a glimpse...
Jalkut Schimoni zu den Psalmen
Der Jalkut Schimoni ist ein Sammelwerk rabbinischer Auslegungen zur gesamten hebräischen Bibel. Unerforscht ist, nach welchen Kriterien die Auslegungen ausgewählt wurden und ob das Werk als umfassendes Nachschlagewerk für exegetische Fragen, zur Verbindung von Bibelauslegung in Talmud und Midrasch oder zur Reform der rabbinischen Auslegungstradition konzipiert wurde. Die Übersetzung des Werkes ist ein erster Schritt, diese Fragen zu beantworten.
Image, Text, Exegesis
Images from the ancient Near East are an important though generally underutilized source of data for interpreting the Hebrew Bible and the cultural context from which it emerged. The essays in this volume highlight the ways that ancient Near Eastern iconography can inform exegesis. This aim is accomplished through case studies in iconographic exegesis that exhibit sound methodologies for relating images and texts. Since the 1970s, biblical scholars have been turning increasingly to iconography as a source for understanding the religion, history and literature of the ancient Near East. The essays in this volume tackle two thorny issues: 1) how images reflect the cultures that produce them and 2) the nature of the relationship between images and texts, both within discrete cultures and among different cultures. Until now, there have been relatively few methodologically self-conscious treatments of ancient iconography and its relationship to the biblical text. So this volume addresses a clear need for demonstrating transparent and consistent methods for iconographic work among biblical scholars.
