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Bollyworld
Popular Indian Cinema is clearly a worldwide phenomenon. But what often gets overlooked in this celebration is this cinema’s intricate relationship with global dynamics since its very inception in the 1890s. With contributions from a range of international scholars, this volume analyses the transnational networks of India’s popular cinema in terms of its production, narratives and reception. The first section of the book,Topographies, concentrates on the globalised audio-visual economies within which the technologies and aesthetics of India’s commercial cinema developed. Essays here focus on the iconic roles of actors like Devika Rani and Fearless Nadia, film-makers such as D G Phalke ...
M.N. Roy: The Man
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Bombay before Bollywood
Traces the development of Indian cinema from the 1920s to the mid-1990s, before Bollywood erupted onto the world stage. Bombay before Bollywood offers a fresh, alternative look at the history of Indian cinema. Avoiding the conventional focus on Indias social and mythological films, Rosie Thomas examines the subaltern genres of the magic and fighting filmsthe fantasy, costume, and stunt films popular in the decades before and immediately after independence. She explores the influence of this other cinema on the big-budget masala films of the 1970s and 1980s, before Bollywood erupted onto the world stage in the mid-1990s. Thomas focuses on key moments in this hidden history, in...
Exporting Perilous Pauline
Exceptionally popular during their time, the spectacular American action film serials of the 1910s featured exciting stunts, film tricks, and effects set against the background of modern technology, often starring resourceful female heroines who displayed traditionally male qualities such as endurance, strength, and authority. The most renowned of these "serial queens" was Pearl White, whose career as the adventurous character Pauline developed during a transitional phase in the medium's evolving production strategies, distribution and advertising patterns, and fan culture. In this volume, an international group of scholars explores how American serials starring Pearl White and other female stars impacted the emerging cinemas in the United States and abroad. Contributors investigate the serial genre and its narrative patterns, marketing, and cultural reception, and historiographic importance, with essays on Pearl White's life on and off the screen as well as the "serial queen" genre in Western and Eastern Europe, India, and China. Contributors are Weihong Bao, Rudmer Canjels, Marina Dahlquist, Monica Dall'Asta, Kevin B. Johnson, Christina Petersen, and Rosie Thomas.
Encyclopedia of Indian Cinema
The largest film industry in the world after Hollywood is celebrated in this updated and expanded edition of a now classic work of reference. Covering the full range of Indian film, this new revised edition of the Encyclopedia of Indian Cinema includes vastly expanded coverage of mainstream productions from the 1970s to the 1990s and, for the first time, a comprehensive name index. Illustrated throughout, there is no comparable guide to the incredible vitality and diversity of historical and contemporary Indian film.
Scheherazade's Children
Scheherazade’s Children gathers together leading scholars to explore the reverberations of the tales of the Arabian Nights across a startlingly wide and transnational range of cultural endeavors. The contributors, drawn from a wide array of disciplines, extend their inquiries into the book’s metamorphoses on stage and screen as well as in literature—from India to Japan, from Sanskrit mythology to British pantomime, from Baroque opera to puppet shows. Their highly original research illuminates little-known manifestations of the Nights, and provides unexpected contexts for understanding the book’s complex history. Polemical issues are thereby given unprecedented and enlightening interp...
The Radical Humanist
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Psychological Warfare and India
Wars are born in human mind. Great military leaders belonging to all times and cultures have always tried to influence the minds of their foes and friends alike to facilitate their own victories by making their enemies hesitant. The minds concerned could be influenced with a variety of overt and covert actions that send right signals to the target audiences. In the words of Allied Supreme Commander of the World War II, Gen. Dwight Eisenhower, these actions are: anything from the singing of a beautiful anthem to the most extraordinary kind of physical sabotage. This is Psychological Warfare and the most preferred action is communication. Dr. Arunkumar Bhatt, who being a defence journalist kno...
Tatas, Fredie Mercury and Other Bawas
The Parsis are fast disappearing. There are now only around 50,000 members of the community in all of India. But since their arrival here from Central Asia, somewhere between the eighth and tenth centuries, the Parsis' contribution to their adopted home has been extraordinary. The history of India over the last century or so is filigreed with such contributions in every field, from nuclear physics to rock and roll, by names such as Dadabhai Naoroji, Dinshaw Petit, Homi Bhabha, Sam Manekshaw, Jamsetji Tata, Ardeshir Godrej, Cyrus Poonawalla, Zubin Mehta and Farrokh Bulsara (aka Freddie Mercury). This is a revised and updated new edition - engaging and accessible - making it as the most intima...
Wanted Cultured Ladies Only!
Wanted Cultured Ladies Only! maps out the early culture of cinema stardom in India from its emergence in the silent era to the decade after Indian independence in the mid-twentieth century. Neepa Majumdar combines readings of specific films and stars with an analysis of the historical and cultural configurations that gave rise to distinctly Indian notions of celebrity. She argues that discussions of early cinematic stardom in India must be placed in the context of the general legitimizing discourse of colonial "improvement" that marked other civic and cultural spheres as well, and that "vernacular modernist" anxieties over the New Woman had limited resonance here. Rather, it was through emphatically nationalist discourses that Indian cinema found its model for modern female identities. Considering questions of spectatorship, gossip, popularity, and the dominance of a star-based production system, Majumdar details the rise of film stars such as Sulochana, Fearless Nadia, Lata Mangeshkar, and Nargis.
