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Refers in particular to Graham Greene and Malcolm Lowry.
Environmental Aesthetics is a comprehensive introduction. It includes a history of aesthetics, discussing the psychology of human-environment relations, and artistic influences on the city and analysing the roles of policy and planning.
Media reports describing the destruction of people's homes, for reasons ranging from ethnic persecution to the perceived need for a new airport or highway, are all too familiar. The planned destruction of homes affects millions of people globally; places destroyed range in scale from single dwellings to entire homelands. Domicide tells how and why the powerful destroy homes that happen to be in the way of corporate, political, bureaucratic, and strategic projects. Too frequently, this destruction is justified as being in the public interest.
Much of Louis Chevalier's Paris faced the wrecking ball in the 1950s, 60s, and 70s, as Georges Pompidou, Andre Malraux, and their cadres of technocratic elites sought to proclaim the glory of the new France by reinventing its capital in brutal visions of glass and steel.
In the present book an effort has been made to bring the reader to look on the city as an entity which expresses certain ideals. The individual monuments, the buildings, thus become part of a whole. The cities are not all treated in the same fashion or according to a particular method. The chapters are as varied as the subjects, for there are no two cities in the world that are identical.
Fleeing the Nazis, Theodor W. Adorno lived in New York City as a refugee from 1938 until 1941. During these years, he was intensively involved in a study of how the recently developed techniques for the nation-wide transmission of music over radio were transforming the perception of music itself. This broad ranging radio research was conceived as nothing less than an investigation, partly empirical, of Walter Benjamin's speculative claims for the emancipatory potential of art in the age of its mechanical reproduction. The results of Adorno's project set him decisively at odds with Benjamin's theses and at the same time became the body of thinking that formed the basis for Adornos own aesthet...
To English poets and writers of the seventeenth century, as to their predecessors, mountains were ugly protuberances which disfigured nature and threatened the symmetry of earth; they were symbols God’s wrath. Yet, less than two centuries later the romantic poets sang in praise of mountain splendor, of glorious heights that stirred their souls to divine ecstasy. In this very readable and fascinating study, Marjorie Hope Nicolson considers the intellectual renaissance at the close of the seventeenth century that caused the shift from mountain gloom to mountain glory. She examines various writers from the seventeenth, eighteenth, and nineteenth centuries and traces both the causes and the process of this drastic change in perception.
A landscape is a visual perception, the way in which we experience our environment through our eyes. In this provocative book Douglas Porteous ventures far beyond the visual into the myriad other sensory and existential perceptions -- otherscapes -- through which we encounter the worlds around and within us. Part I, Sensuous Worlds, investigates and celebrates the problems and joys of Smellscape and Soundscape. These interpretations accumulate in the pivotal essay on Bodyscape. Part II, Landscapes of Metaphor, delves more deeply into the existential landscape antinomies of human life: body (Bodyscape), vs mind (Inscape); home (Homescape) vs. travel (Escape); and, mirroring the sequence of ur...
Smell is fundamental to experience but mired in paradox. Stigmatized as animalistic, it nonetheless feeds a vast fragrance and marketing industry. Considered ephemeral, scents have survived throughout the ages in a number of religious practices. The Smell Culture Reader provides a much-needed overview of what is arguably the most elusive sense. From hygiene to aromatherapy, the fetid to the fragrant, smells are shown to be much more than just an adornment or a nuisance. Addressing this engaging sense in redolent detail, The Smell Culture Reader demonstrates how essential smell is to sexuality, social status, personal identity, and cultural tradition.