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Relates chiefly to Charlotte Bront e.
Readers of Robert Gibbings’ previous illustrated tales of river life such as “Sweet Thames Run Softly” (1940) and “Coming Down the Wye” (1942) will need no introduction to the unique style that this author uses to explore the people and places that he describes with warmth and affectionate good humour. But the real reason that his books have become so collectable is the delicate and evocative engravings with which he illustrates his subject. In “Lovely is the Lee”, first published in 1945, Gibbings has never written with more ease and grace than in this exploration of the River Lee in Ireland. Here is the simple and ancient life which still exists in Ireland, centered in tiny villages in the southern and western part of the Irish Free State. Gibbings finds every part of that life absorbing. As a naturalist he is sensitive to the bird life of the western counties and islands, and describes with an accurate beauty these winged inhabitants. Richly illustrated throughout with engravings by the author.
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
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Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Hesperides Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Inspired by French and Italian landscape painting, a number of eighteenth-century artist-gardeners led by William Kent created an art-form unique in the West, althought favoured from times of antiquity in China and Japan: the picturesque garden - virtually a landscape picture made not of paint on canvas but of real country and buildings. Towering above the rest of the professional practitioners of this art, in terms both of genius and industry, were two remarkable men, Capability Brown and his successor Humphry Repton. Both transformed many thousands of acres of England and Wales from 'natural' into 'picturesque' landscape; both , in the course of their work, met many of the leading men of their day, and George III made a friend of Brown; both, in their different ways, exerted a lasting influence on other landscape designers, including those of America and Europe. -- Book jacket.
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