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National Identities and European Literatures
This volume of essays focuses on the configuration and the crisis of national and cultural identities in modern and contemporary Europe. Renowned contributors address the question of identity from various theoretical frames (Eagleton, Honneth, Bourdieu). The essays collected in the first and second part of the book study the relation between literature and culture as well as the decisive, yet ambiguous role that literature has played in the identitary processes of nations. The last part of the volume examines the history and the present relevance of specific identitary processes. Dieser Sammelband thematisiert die Entstehung und Entwicklung kultureller und nationaler Identitäten in Europa und die damit einhergehenden Krisen. Renommierte Forscher reflektieren das Thema Identität im Lichte verschiedener theoretischer Ansätze (Eagleton, Honneth, Bourdieu). In den Beiträgen der ersten beiden Teile erörtern sie die Wechselwirkungen von Literatur und Kultur sowie die Rolle, die der Literatur in nationalen Identitätsprozessen zukommt. Im letzten Teil werden Geschichte und Gegenwart einzelner Identitätsprozesse analysiert.
Crossing Central Europe
This volume studies elements of Austro-Hungarian or Central European culture that were common across linguistic, national, and ethnic communities, and shows how some of these commonalities survived or were transformed by the turmoil of the 20th century: two world wars, a major depression between the wars, Stalinism and the Iron Curtain
Modernism, Postmodernism, and the Short Story in English
How can the short story help to redefine modernism, postmodernism and their interrelationship? What is the status of the short story in modern literary history? These are the central questions that the essays collected in this volume try to answer from different perspectives through readings of short fiction in English and accounts of the genre’s theorisations. The essays by a group of international scholars tackle theoretical issues that are central in approaches to both “movements” such as periodisation, autonomy, high vs. popular literature, totality vs. fragmentation, surface vs. depth, otherness, representation, and, above all, the subject and its vicissitudes. Because it blends theory-based arguments into the approaches to the short fiction of mainly canonical authors (Joyce, Woolf, Lewis, Ballard, Carter, Rushdie, or Wallace), Modernism, Postmodernism, and the Short Story in English is of interest not only to readers and scholars of the short story, but also to those coming from the fields of literary theory and literary history.
Contemporary Migration Literature in German and English
Up until now, ‘migration literature’ has primarily been defined as ‘texts written by migrant authors’, a definition that has been discussed, criticised, and even rejected by critics and authors alike. Very rarely has ‘migration literature’ been understood as ‘literature on the topic of migration’, which is an approach this book adopts by presenting a comparative analysis of contemporary texts on experiences of migration. By focusing on specific themes and motifs in selected texts, this study suggests that migration literature is a sub-genre that exists in both various bodies of literature as well as various languages. This book analyses English and German texts by authors such as Monica Ali, Dimitré Dinev, Anna Kim, Timothy Mo, Preethi Nair, Caryl Phillips, Hamid Sadr, and Vladimir Vertlib, among others.
Great Immortality
Winner of the Excellence Award for Collaborative Research granted by the European Society of Comparative Literature (ESCL) In Great Immortality, twenty scholars from considerably different cultural backgrounds explore the ways in which certain poets, writers, and artists in Europe have become major figures of cultural memory. Through individual case studies, many of the contributors expand and challenge the concepts of cultural sainthood and canonization as developed by Marijan Dović and Jón Karl Helgason in National Poets, Cultural Saints: Canonization and Commemorative Cults of Writers in Europe (Brill, 2017). Even though the major focus of the book is the nineteenth-century cults of nat...
Late Europeans and Melancholy Fiction at the Turn of the Millennium
This book is the first comparative study of novels by Patrick Modiano, W. G. Sebald, and Antonio Muñoz Molina. Drawing on many literary figures, movements, and traditions, from the Spanish Golden Age, to German Romanticism, to French philosophy, via Jewish modernist literature, Ian Ellison offers a fresh perspective on European fiction published around the turn of the millennium. Reflecting on what makes European fiction European, this book examines how certain novels understand themselves to be culturally and historically late, expressing a melancholy awareness of how the past and present are irreconcilable. Within this framework, however, it considers how backwards-facing, tradition-oriented self-consciousness, burdened by a sense of exhaustion in European culture and the violence of its past, may yet suggest the potential for re-enchantment in the face of obsolescence.
Velázquez, Painter & Curator
This book is the first to address the curatorial career of Diego Velázquez, painter to King Philip IV of Spain and chamberlain of his royal palace. It investigates the role that Velázquez played in overseeing the display of the Habsburg art collection, then the richest in the western world, and the role, in turn, that this practice played in his creative trajectory between his arrival at the Spanish court in 1623 and his death in 1660. This book thus recasts Velázquez’s career as an episode in the history of the curator.
John Huston as Adaptor
Argues that understanding Hustons film adaptations of literary works is essential to understanding his oeuvre as a filmmaker. John Huston as Adaptor makes the case that adaptation is the salient element in Hustons identity as a filmmaker and that his early and deep attraction to the experience of reading informed his approach to film adaptation. Thirty-four of Hustons thirty-seven films were adaptations of literary texts, and they stand as serious interpretations of literary works that could only be made by an astute reader of literature. Indeed, Huston asserted that a film director should be above all else a reader and that reading itself should be the intellectual and emotional basis...
New Spain, New Literatures
Hispanic Studies; Literature; Latin American Studies.
