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A Life Composed
"The modern literary critic", T. S. Eliot wrote in 1929, "must be an 'experimenter' outside of what you might at first consider his own province; [...] there is no literary problem which does not lead us irresistibly to larger problems." This book follows Eliot's principle and situates his literary and critical work in a wide context that reveals manifold links between aesthetics, ethics, politics and epistemology: the historical context of early-twentieth-century idealism, vitalism and pragmatism, especially the intensely political Bergsonian controversy, and the modern context of the philosophies of Charles Taylor, Michel Foucault and Richard Rorty. 'Knowledge', it argues, was verbalised i...
Munch
Biographical sketch of Norwegian-born artist Evard Munch, including color illustrations of his famous works.
The Undiscovered Expressionist
Toward the end of her life, Viennese artist Marie-Louise von Motesiczky (1906–1996) at last gained recognition as one of Austria’s most important 20th-century painters. The great art historian Ernst Gombrich praised the artist’s striking individuality and the delicacy and subtlety of her painting. This book celebrates Motesiczky’s work and situates the artist in the troubled history of her times. Drawing on a wealth of unpublished family archives, including decades of correspondence between Marie-Louise and the writer Elias Canetti, the book tells the story of Motesiczky’s life from her childhood in Vienna amidst talented and distinguished family members to her later years living and working among other exiled artists in England. The book also offers a sensitive critical study of Marie-Louise’s paintings, discussing particular works and the circumstances that surrounded their creation. These include compelling self-portraits, a moving series of paintings of the artist’s aging mother, and lyrical depictions of her English garden.
Sculpture and Psychoanalysis
Just what do psychoanalysis and modern sculpture have to do with one another? The present collection of essays, unique in its field, shows how key metaphors of Freudian and Kleinian psychoanalysis - splitting, projection, sublimation, identification, the schizoid and reparative mechanisms - as well as Lacan's concepts of the stade du mirroir and the objet petit a, can be fruitfully applied to a range of modern three-dimensional art, from Surrealism to the present day. As these essays show, figures such as Barbara Hepworth, Eva Hesse, Jean-Jacques Lebel, Robert Morris, Donald Judd, Gilbert and George, Rebecca Horn and others have often approached the material of sculpture with something like these mechanisms in mind. The need to unlock the levels of psychoanalytic connection between artist, object and viewer in recent debate has fuelled the diverse proposals of this original and important book.
The Darkening Spirit
The twenty-first century could well be Jung's century, just as the twentieth century was Freud's. Jung predicted the demise of secular humanism and claimed we would search for alternatives to science, atheism and reason. We would experience a new and even unfashionable appetite for the sacred. Educated people, however, would not return to unreconstructed religions, because these do not express the life of the spirit as discerned by modern consciousness. The sacred has developed a darker hue, and worshipping symbols of light and goodness no longer satisfies the longings of the soul. The new sacred cannot be contained by the formulas of the past, but nor can we live without a sense of the sacr...
Psychoanalytic Perspectives on Art, V.2
This new hardcover annual offers a unique scholarly format, an interdisciplinary dialogue that, it is hoped, will foster the development of a sound, useful methodology for applying psychoanalytic insight to art and artists. The series provides a medium for those who study art, those who interpret it, and occasionally those who create it, formally to explore the meaning of an artistic work as the direct reflection of the inner world of its creator. Within each volume, individual topics are addressed by either an art historian or a psychoanalyst, with a response frequently tendered by an expert from the other field. Reviews of important books of cross-disciplinary interest are treated in a similar manner, and include rebuttals by the authors themselves. It is precisely this exchange of ideas among scholars with difference perspectives on the meaning of a work of art that sets PPA apart from the standard art history publication. Its depth of scholarship, coupled with its innovative format, make it a fascinating addition to the burgeoning field of psychoanalytic studies of art history.
C.G. Jung Speaking
A collection of journalistic interviews which span Jung's lifetime. This book captures his personality and spirit in more than 50 accounts of talks and meetings with him. They range from transcripts of interviews for radio, television, and film to memoirs written by notable personalities.
What was Contemporary Art?
"Contemporary art in the early twenty-first century is often discussed as though it were a radically new phenomenon unmoored from history. Yet all works of art were once contemporary to the artist and culture that produced them. In What Was Contemporary Art? Richard Meyer reclaims the contemporary from historical amnesia, exploring episodes in the study, exhibition, and reception of early twentieth-century art and visual culture.
The Art of Life
Autobiographical literature especially reveals the processes by which writers convert their own historical experience into fictional form and suggests how literary forms function in life. This volume defines an original theory of autobiographical writing and provides intriguing analyses of major American works of literature. The Art of Life examines the transformation of history into literature in Walden, "Song of Myself," Henry James's Prefaces, The Education of Henry Adams, Paterson, and the poetry of Frank O'Hara. These works are approached as events in themselves and are analyzed as conversions of form and history, fiction and fact, and even aesthetics and politics. Thus the work of lite...
