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The London Stage 1910-1919
This is a day-by-day calendar of plays produced at the major London theatres from January 1, 1910 to December 31, 1919. Covering dozens of west-end theatres and including production details of thousands of plays, operas, and ballets, this revised edition provides expanded or new information about authors, actors, plots, reviews, and more.
The London Stage 1930-1939
This is a day-by-day calendar of plays produced at the major London theatres from January 1, 1930 to December 31, 1939. Covering dozens of west-end theatres and including production details of thousands of plays, operas, and ballets, this revised edition provides expanded or new information about authors, actors, plots, reviews, and more.
The London Stage 1900-1909
This is a day-by-day calendar of plays produced at the major London theatres from January 1, 1900 to December 31, 1909. Covering dozens of west-end theatres and including production details of thousands of plays, operas, and ballets, this revised edition provides expanded or new information about authors, actors, plots, reviews, and more.
The London Stage 1890-1899
This is a day-by-day calendar of plays produced at the major London theatres from January 1, 1890 to December 31, 1899. Covering dozens of west-end theatres and including production details of thousands of plays, operas, and ballets, this revised edition provides expanded or new information about authors, actors, plots, reviews, and more.
The Shakespeare Diaries
What was Shakespeare thinking while he was writing Hamlet? What did he and Ben Jonson talk about when they were having a drink together? Did he meet Queen Elizabeth? What might Shakespeare have said to the formidable monarch? In The Shakespeare Diaries, J. P. Wearing, Professor Emeritus of English at the University of Arizona, blends fact with fiction to create a unique fictional autobiography of the great playwright that takes the reader into The Bard’s life like never before. The Shakespeare Diaries provides a window into Shakespeare’s world—his day-to-day life, his work, his friends and associates, and his view of daily events—thus giving readers a vivid impression of the Elizabet...
The London Stage 1920-1929
This is a day-by-day calendar of plays produced at the major London theatres from January 1, 1920 to December 31, 1929. Covering dozens of west-end theatres and including production details of thousands of plays, operas, and ballets, this revised edition provides expanded or new information about authors, actors, plots, reviews, and more.
The London Stage 1950-1959
This is a day-by-day calendar of plays produced at the major London theatres from January 1, 1950 to December 31, 1959. Covering dozens of west-end theatres and including production details of thousands of plays, operas, and ballets, this revised edition provides expanded or new information about authors, actors, plots, reviews, and more.
The London Stage 1940-1949
This is a day-by-day calendar of plays produced at the major London theatres from January 1, 1940 to December 31, 1949. Covering dozens of west-end theatres and including production details of thousands of plays, operas, and ballets, this revised edition provides expanded or new information about authors, actors, plots, reviews, and more.
Tribological Performance of Artificial Joints
Joint replacement is a very successful medical treatment. However, the survivorship of the implants could be adversely affected due to the loss of materials in the form of particles or ions as the bearing surfaces articulate against earch other. The consequent tissue and immune response to the wear products, remain one of the key factors of their failure. Tribology has been defined as the science and technology of interacting surfaces in relative motion and all related wear products (e.g., particles, ions, etc.). Over the last few decades, in an attempt to understand and improve joint replacement technology, the tribological performance of several material combinations have been studied expe...
The Third Body Concept: Interpretation of Tribological Phenomena
The central theme of this book, The Third Body Concept: Interpretation of Tribological Phenomena, was chosen to honour the work of Professor Maurice Godet. The aim of this and previous conferences in the series is to select a topic of current interest to tribologists in order to further advance knowledge in selected fields. Presented by leading scientists from 23 countries, these proceedings provide an up-to-date review of developments in this field..
