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Rip Tales
In the California winter of 1965, Jay DeFeo was evicted from the San Francisco apartment that had become a temple for her 2000-pound colossus of a painting, The Rose. The morning after it was safely carried out the front window, DeFeo was forced to destroy the only other artwork she'd started in six years, an enormous painting on paper stapled directly to her hallway wall. The unfinished Estocada-a kind of shadow Rose-was ripped down in unruly chunks, carried to her new home, and reanimated years later through photography, photocopy, collage, and relief. Drawing from largely unpublished archival material, Rip Tales traces Estocada's life and multiple afterlives, offering insight into DeFeo's...
