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Political Fiction and the American Self
Examining political novels that have achieved (or been denied) canonical status, John Whalen-Bridge demonstrates how Herman Melville, Jack London, Norman Mailer, Ralph Ellison, Toni Morrison, and Margaret Atwood have grappled with the problem of balancing radicalism and art. He shows that some books are more political than others, that some political novelists are more skillful than others, and that readers must allow for basic working distinctions between politics and aesthetics if we are to make useful judgments about which political novels to read, and why. "Whalen-Bridge demonstrates with clarity and power that the American political novel should not be ostracized but celebrated as a genre equal or superior to poetic and aesthetic ones." -- Tobin Siebers, author of Cold War Criticism and the Politics of Skepticism
Martial Arts as Embodied Knowledge
This landmark work provides a wide-ranging scholarly consideration of the traditional Asian martial arts. Most of the contributors to the volume are practitioners of the martial arts, and all are keenly aware that these traditions now exist in a transnational context. The book's cutting-edge research includes ethnography and approaches from film, literature, performance, and theater studies. Three central aspects emerge from this book: martial arts as embodied fantasy, as a culturally embedded form of self-cultivation, and as a continuous process of identity formation. Contributors explore several popular and highbrow cultural considerations, including the career of Bruce Lee, Chinese wuxia films, and Don DeLillo's novel Running Dog. Ethnographies explored describe how the social body trains in martial arts and how martial arts are constructed in transnational training. Ultimately, this academic study of martial arts offers a focal point for new understandings of cultural and social beliefs and of practice and agency.
Buddhism, Modernity, and the State in Asia
Leading scholars working on Buddhism and politics in South and Southeast Asia add to current discussions regarding 'Engaged Buddhism' and the recent work on protests. The writers have mostly established themselves in their fields, offering a diverse approach and country-by-country coverage.
Tibet on Fire
Using Kenneth Burke's concept of dramatism as a way of exploring multiple motivations in symbolic expression, Tibet on Fire examines the Tibetan self-immolation movement of 2011-2015. The volume asserts that the self-immolation act is an affirmation of Tibetan identity in the face of cultural genocide.
Norman Mailer's Later Fictions
Norman Mailer s Later Fiction considers five works - Ancient Evenings (1983), Tough Guys Don t Dance (1984), Harlot's Ghost (1991), The Gospel According to the Son (1997), The Castle in the Forest (2007) - to examine, for the first time in a full volume, Mailer s literary maturity. Essays from esteemed scholars, Mailer's wife, andeditor, discuss Mailer s modes of cultural critique, connecting his political, theological, sexual, and aesthetic insights. This book will be essential reading for all Mailer scholars and offers provocative insights in such areas as postmodern American writing, masculinity studies, and the developing interface of literary and religious studies.
The Emergence of Buddhist American Literature
The encounter between Buddhism and American literature has been a powerful one for both parties. While Buddhism fueled the Beat movement's resounding critique of the United States as a spiritually dead society, Beat writers and others have shaped how Buddhism has been presented to and perceived by a North American audience. Contributors to this volume explore how Asian influences have been adapted to American desires in literary works and Buddhist poetics, or how Buddhist practices emerge in literary works. Starting with early aesthetic theories of Ernest Fenollosa, made famous but also distorted by Ezra Pound, the book moves on to the countercultural voices associated with the Beat movement and its friends and heirs such as Ginsberg, Kerouac, Snyder, Giorno, Waldman, and Whalen. The volume also considers the work of contemporary American writers of color influenced by Buddhism, such as Maxine Hong Kingston, Charles Johnson, and Lan Cao. An interview with Kingston is included.
American Buddhism as a Way of Life
Explores a range of Buddhist perspectives in a distinctly American context.
Writing as Enlightenment
This timely book explores how Buddhist-inflected thought has enriched contemporary American literature. Continuing the work begun in The Emergence of Buddhist American Literature, editors John Whalen-Bridge and Gary Storhoff and the volume's contributors turn to the most recent developments, revealing how mid-1970s through early twenty-first-century literature has employed Buddhist texts, principles, and genres. Just as Buddhism underwent indigenization when it moved from India to Tibet, to China, and to Japan, it is now undergoing that process in the United States. While some will find literary creativity in this process, others lament a loss of authenticity. The book begins with a look at ...
Encountering Buddhism in Twentieth-Century British and American Literature
Encountering Buddhism in Twentieth-Century British and American Literature explores the ways in which 20th-century literature has been influenced by Buddhism, and has been, in turn, a major factor in bringing about Buddhism's increasing spread and influence in the West. Focussing on Britain and the United States, Buddhism's influence on a range of key literary texts will be examined in the context of those societies' evolving modernity. Writers discussed include T. S. Eliot, Hermann Hesse, Virginia Woolf, Jack Kerouac, Allen Ginsberg, J. D. Salinger, Iris Murdoch, Maxine Hong Kingston. This book brings together for the first time a series of context-rich interpretations that demonstrate the importance of literature in this ongoing cultural change in Britain and the United States.
Performing Silat in Australia: A Cultural Heritage Approach (UUM Press)
Have you ever dreamed of living in foreign and faraway places? Have you ever wondered how, in such places, your cultural identity and your sense of self would endure? Malaysian students have been organising cultural festivals in the land, Down Under for more than 20 years. These festivals play host to cultural heritage performances that represent the various ethnicities found in the Malaysian homeland. However, very little is known about the way these diasporic performances differ from those in the homeland, and whether these differences can adversely affect the Malaysian identity they are intended to represent. This book presents the role of intangible cultural heritage performances in deve...
