Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Cinéma Cinéma
Cinema Cinema examines the work of 11 artists whose work incorporates aspects of the cinematic experience: Pierre Huyghe, Eija-Lisa Ahtila, Fiona Banner, Christoph Draeger, Douglas Gordon, Joachaim Koester, Julie Becker, Pierre Bismuth, Mark Lewis, Sharon Lockhard, and Christoph Girardet. Referencing famous films, using specific projection and filming techniques, and reflecting on the developed vocabulary of movies -- these artists are continuing to explore the intersection of popular culture and art begun by artists such as Andy Warhol, Ed Ruscha, and John Baldessari. This book contains extensive images and essays devoted to each artist, as well as two introductory pieces giving an overview of film in art.
The Chinese Atlantic
In The Chinese Atlantic, Sean Metzger charts processes of global circulation across and beyond the Atlantic, exploring how seascapes generate new understandings of Chinese migration, financial networks and artistic production. Moving across film, painting, performance, and installation art, Metzger traces flows of money, culture, and aesthetics to reveal the ways in which routes of commerce stretching back to the Dutch Golden Age have molded and continue to influence the social reproduction of Chineseness. With a particular focus on the Caribbean, Metzger investigates the expressive culture of Chinese migrants and the communities that received these waves of people. He interrogates central i...
Live Visuals
This volume surveys the key histories, theories and practice of artists, musicians, filmmakers, designers, architects and technologists that have worked and continue to work with visual material in real time. Covering a wide historical period from Pythagoras’s mathematics of music and colour in ancient Greece, to Castel’s ocular harpsichord in the 18th century, to the visual music of the mid-20th century, to the liquid light shows of the 1960s and finally to the virtual reality and projection mapping of the present moment, Live Visuals is both an overarching history of real-time visuals and audio-visual art and a crucial source for understanding the various theories about audio-visual synchronization. With the inclusion of an overview of various forms of contemporary practice in Live Visuals culture – from VJing to immersive environments, architecture to design – Live Visuals also presents the key ideas of practitioners who work with the visual in a live context. This book will appeal to a wide range of scholars, students, artists, designers and enthusiasts. It will particularly interest VJs, DJs, electronic musicians, filmmakers, interaction designers and technologists.
The Black Speculative Arts Movement
The Black Speculative Arts Movement: Black Futurity, Art+Design is a 21st century statement on the intersection of the future of African people with art, culture, technology, and politics. This collection enters the global debate on the emerging field of Afrofuturism studies with an international array of scholars and artists contributing to the discussion of Black futurity in the 21st century. The contributors analyze and respond to the invisibility or mischaracterization of Black people in the popular imagination, in science fiction, and in philosophies of history.
Socioaesthetics
Aesthetics is no longer the preserve of art historians and philosophers of art. Changes in society, culture, economy, urban dynamics and everyday life, push us towards considering the aesthetic components of traditionally non-aesthetic domains. Today it is not only legitimate but necessary to query the relationship between the social as a cohesive and encompassing form of community and human institutions and the aesthetic, that is the sensual, sensory, or, perhaps better, the sensible. Increasingly the social seems to emerge from the sensible and sentient meaning of objects. The volume SocioAesthetics: Ambience – Imaginary collects scholars from social science, aesthetics, arts, and cultural studies in case-driven debate, ranging from biometrics to luxury commodities, on how a new alignment of aesthetics and the social is possible and what the possible prospects of this may be.
Fear, Cultural Anxiety, and Transformation
This collection was inspired by the observation that film remakes offer us the opportunity to revisit important issues, stories, themes, and topics in a manner that is especially relevant and meaningful to contemporary audiences. Like mythic stories that are told again and again in differing ways, film remakes present us with updated perspectives on timeless ideas. While some remakes succeed and others fail aesthetically, they always say something about the culture in which_and for which_they are produced. Contributors explore the ways in which the fears of death, loss of self, and bodily violence have been expressed and then reinterpreted in such films and remakes as Invasion of the Body Sn...
Creative Enterprise
Intertwines a dual emphasis on evolving institutional priorities and major shifts in artistic production.
The Music and Sound of Experimental Film
Holly Rogers is Senior Lecturer in Music at Goldsmiths, University of London. Book jacket.
Architecture, visual culture, art
Every year in the highlands of Guatemala, the town of Sumpango celebrates Day of the Dead by flying kites. The kites are massive, the largest measuring 45 feet in diameter. Smaller kites, close 20 feet in height, are flown in a death-defying race down the side of a mountain. From a distance, the kites appear luminous and blissful, but the radiant colors of the kites mask an ominous subtext. On closer inspection, the images on the sails depict people in agony and torment: mutilated bodies, mass burials, kidnappings, and rivers of blood. In graphic illustration, the kites allude to the dark and painful history of Guatemala's 30-year civil war. Originally centered on remembering the dead, the kite festival has become a way for the indigenous community to heal itself from the trauma of the war. Wings of Resistance examines the politics and art of the giant kites, placing this Guatemalan tradition in the context of international kite cultures. The contributors include Alison Fujino, Christopher Ornelas, Jose Sainz, Scott Skinner, and Victorino Tejaxun.
The Cambridge Global History of Fashion: Volume 2
Examines the challenges of fashion from the nineteenth-century to the present day, from decolonisation to sustainability.
