You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
"Time, this is what is central to video, it is not seeing as its etymological roots imply. Video's intrinsic principle is feedback." -- Gary Hill (From "Inter-view") For more than twenty years Gary Hill has been at the cutting edge of video, often setting the terms for its development and pointing it in new, exciting directions. Since the mid-eighties, Hill has established himself as one of the major voices in the medium. His work has been the focus of major exhibitions and retrospectives at museums in Europe and the United States, including the Guggenheim Museum in Soho, the Whitney Biennial, and the Lyon Museum in France. He has received numerous awards, including the coveted MacArthur Awa...
The films of Atom Egoyan immerse the viewer in a world of lush sensuality, melancholia, and brooding obsession. From his earliest films Next of Kin and Family Viewing, to his coruscating Exotica and recent projects such as Where the Truth Lies, Egoyan has paid infinite attention to narrative intricacy and psychological complexity. Traumatic loss and its management through ritual return as themes in his films as he explores personal scenarios of mourning and broader issues of genocide, exile, and postmemory, in particular in relation to his own Armenian heritage. In this study, Emma Wilson closely analyzes the range of Egoyan's films and their visual textures, emotional control, and perverse ...
Mosaic Space and Mosaic Auteurs constructs a model of mosaic, which extends our focus beyond narrative strategy, to approach the trend of diverse multi-strand films across genres, nations and filmmaking contexts since the late 1980s. Different from investigation of this recurring global phenomenon from perspectives of spectator engagement, narratology, cognitive understanding and socio-political messages, proposed by film scholars, the model of mosaic helps establish the intertwining relationship between narrative, aesthetics, transnational production, and distribution modes – and in the framework of contextualised geopolitical spaces. As the transnational auteurs in question draw talents,...
In this book, Roger Luckhurst both introduces and advances the fields of cultural memory and trauma studies, tracing the ways in which ideas of trauma have become a major element in contemporary Western conceptions of the self. The Trauma Question outlines the origins of the concept of trauma across psychiatric, legal and cultural-political sources from the 1860s to the coining of Post-Traumatic Stress Disorder in 1980. It further explores the nature and extent of ‘trauma culture’ from 1980 to the present, drawing upon a range of cultural practices from literature, memoirs and confessional journalism through to photography and film. The study covers a diverse range of cultural works, including writers such as Toni Morrison, Stephen King and W. G. Sebald, artists Tracey Emin, Christian Boltanski and Tracey Moffatt, and film-makers David Lynch and Atom Egoyan. The Trauma Question offers a significant and fascinating step forward for those seeking a greater understanding of the controversial and ever-expanding field of trauma research.
This is the story of Regis Krampf’s passion for the work of Georges Braque. It is an illustrated book of his collection of paintings by the artist pertaining to a specific period. It is accompanied by new texts. He has focused his collection on the larger, most prolific, yet less known third period of Georges Braque’s body of work. The period spans a little over 40 years until the artist’s death in 1963. The first two periods are the Fauve period and the Cubist period.
A richly illustrated exploration of the imagination in photography featuring the work of over sixty international artists.
This book provides an accessible overview of each director’s contribution to cinema, incorporating a discussion of their career, major works and impact.
Arguing for the necessity of taking art's contribution to contemporary realism seriously, this edited collection intervenes on contemporary debates about realism by demonstrating that the arts do not simply illustrate philosophical theories. The significance of art's realism in times characterised by the normalisation of fake, manipulated and distorted representations of reality can only be fully understood by attending to the ways that the arts mediate, visualise and even shape reality. Each chapter features a different approach to realism and its aesthetic dimensions not only in the visual arts, but also in sound art, film, scientific imaging and literature.
This study considers the locus of the breathing body in the film experience and its implications for the study of embodiment in film and sensuous spectatorship.
The essays collected here reflect the spectacular rise of Iranian cinema in recent years as well as the strong contributions of contemporary filmmakers from countries such as Belgium, Canada, China, Israel, Lebanon, Scotland, and Spain. But In Search of Cinema does not neglect the best recent films from major film-producing nations like the United States, France, and Italy and includes retrospective pieces on the careers of Ingmar Bergman and Woody Allen as well as several essays on the interrelationship between film form, or film genres, and drama and the novel, the two forms from which the cinema continues to draw a wealth of its material.