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We start with a brief ancestry of my parents, my fathers and my mothers histories the best as I can remember, and then my childhood during the Depression with an overstrict father, then high school, graduation, and work. I finally got to go to Wyoming and met my first wife, returned to California, went to work at a steel company then at a wholesale grocers, performed some activities, then worked at the Huntington Park Police Department (HPPD), and lots of activities. I was drafted in to the military and returned to HPPD. More activities, then LAPD Academy, graduation to PIC, AID, then to TED (motorcycles), lots of activities. Retirement (Rocket Wheel), Construction, Department of Justice as bodyguard for the attorney general. Back into construction, after twenty years retired. Moved to Laguna Woods, retired, end of story.
This book explores ideas of enthusiasm, or divine inspiration, in the works of the poet, dramatist, and literary critic John Dryden. It offers a new view of a major seventeenth-century writer and also examines the complex political and religious tensions implicit in Dryden's interest in enthusiasm.
Ryan J. Stark presents a spiritually sensitive, interdisciplinary, and original discussion of early modern English rhetoric. He shows specifically how experimental philosophers attempted to disenchant language
In this innovative study, Bernadette Andrea focuses on the contributions of women and their writings in the early modern cultural encounters between England and the Islamic world. She examines previously neglected material, such as the diplomatic correspondence between Queen Elizabeth I and the Ottoman Queen Mother Safiye at the end of the sixteenth century, and resituates canonical accounts, including Lady Mary Wortley Montagu's travelogue of the Ottoman empire at the beginning of the eighteenth century. Her study advances our understanding of how women negotiated conflicting discourses of gender, orientalism, and imperialism at a time when the Ottoman empire was hugely powerful and England was still a marginal nation with limited global influence. This book is a significant contribution to critical and theoretical debates in literary and cultural, postcolonial, women's, and Middle Eastern studies.
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Prologues, Epilogues, Curtain-Raisers, and Afterpieces: The Rest of the Eighteenth-Century London Stage presents a fresh analysis of the complete theater evening that was available to playhouse audiences from the Restoration to the early nineteenth century. The contributing scholars focus not on the mainpiece, the advertised play itself, but on what surrounded the mainpiece for the total theater experience of the day. Various critical essays address artistic disciplines such as dance and theatrical portraits, while others concentrate on peripheral performance texts, including prologues, epilogues, pantomimes, and afterpieces, that merged to define the overall theatrical event.