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Authoring a film adaptation of a literary source not only requires a media conversion but also a transformation as a result of the differing dramatic demands of cinema. The most critical central step in this transformation of a literary source to the screen is the writing of the screenplay. The screenplay usually serves to recruit producers, director, and actors; to attract capital investment; and to give focus to the conception and production of the film project. Often undergoing multiple revisions prior to production, the screenplay represents the crucial decisions of writer and director that will determine how and to what end the film will imitate or depart from its original source. Autho...
This book contains detailed studies of all the major areas of the discipline, including the detection of plagiarism, the observation of style change, and an analysis of all of the most important types of forensic text, including ransom demands, suicide notes, hate mail, smear mail, trick mail and terrorist mail. Perhaps one of the greatest assets of the book is its discussion of specific forensic texts including the 'stalker text' from John Hinckley, an excerpt from the Unabomber case, several 17th century Salem witch trial 'confessions', Susan Smith's confession, and ransom notes from the Lindbergh kidnapping and Carlos the Jackal's ransom demand at Vienna.
Although Stanley Kubrick adapted novels and short stories, his films deviate in notable ways from the source material. In particular, since 2001: A Space Odyssey (1968), his films seem to definitively exploit all cinematic techniques, embodying a compelling visual and aural experience. But, as author Elisa Pezzotta contends, it is for these reasons that his cinema becomes the supreme embodiment of the sublime, fruitful encounter between the two arts and, simultaneously, of their independence. Stanley Kubrick's last six adaptations—2001: A Space Odyssey, A Clockwork Orange (1971), Barry Lyndon (1975), The Shining (1980), Full Metal Jacket (1987), and Eyes Wide Shut (1999)—are characterize...
Many of Dr. King's writings, both published and unpublished, are now preserved in two authoritative, chronologically arranged volumes. Volume 2 includes King's doctoral works at Boston University, papers from his graduate courses and a fully annotated text of his dissertation. 31 photos.
This book examines the adaptations of Amleth, a legendary Danish prince, in different works including Ur-Hamlet, Shakespeare’s Hamlet, Rosencrantz and Guildenstern Are Dead by Tom Stoppard, and Haider by Vishal Bhardwaj. The book employs various adaptation theories proposed by critics such as Linda Hutcheon, Thomas Leitch, and others to thoroughly analyze these adaptations in the context of intertextuality and adaptation studies. Throughout the book, the analysis is supported by a comprehensive review of existing scholarship on the topic, including critical essays, books, and articles written by various scholars. The book provides a thorough examination of the adaptations of Amleth in the context of intertextuality and adaptation theories, shedding new light on their interpretations, transformations, and cultural significance.
This collection of forty new essays, written by the leading scholars in adaptation studies and distinguished contributors from outside the field, is the most comprehensive volume on adaptation ever published. Written to appeal alike to specialists in adaptation, scholars in allied fields, and general readers, it hearkens back to the foundations of adaptation studies a century and more ago, surveys its ferment of activity over the past twenty years, and looks forward to the future. It considers the very different problems in adapting the classics, from the Bible to Frankenstein to Philip Roth, and the commons, from online mashups and remixes to adult movies. It surveys a dizzying range of ada...