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Jack Cowart is the current head of the Roy Lichtenstein Foundation. He reflects on his personal experience with his friend Robert Rauschenberg as it intersects with his own career trajectory. He discusses how his initial encounters with Rauschenberg influenced his notions of the living artist and the artist's studio, prompting a shift to a contemporary-focused career at the Wadsworth Atheneum in the early 1970s, and then at the St. Louis Art Museum from the late 1970s to the early 1980s. He talks about his involvement with Rauschenberg Overseas Culture Interchange (ROCI) and it's importance in allowing the space for contemporary artists to be shown in the same context as classical artists at the institution. Cowart reflects on his experiences with Rauschenberg at the Captiva estate. He talks about the initiation of a creative space as the premise of Rauschenberg's ROCI project and argues against the notion of an imperialistic motivation.
La exposición ofrece una visión completa e inédita de las diferentes etapas del proceso de trabajo del Lichtenstein durante cuatro décadas. El proyecto se plantea reconstruir en su totalidad las distintas fases de la creación del artista, evidenciando la evolución desde sus fuentes de inspiración hasta sus últimas consecuencias -las obras finales-, y desvelando su incesante búsqueda por los diferentes caminos del arte.
171 paintings concentrated on works produced by Henri Matisse during the 1920s, when he lived in the South of France.
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