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This book defies categorization. It is an auto-biographical novel, a book about how to have fun, a cautionary tale for the sexually and socially inhibited. It is a political treatise on how to combat puritanism, a philosophical tract on the importance of humour to the human soul, a buyers' guide to outstanding porno tapes and a business book for the entertainment industry. It is the life of Mark Breslin. Beginning as the enfant terrible of Canadian comedy, Mark Breslin rose up and built an empire: the Yuk Yuk's chain of comedy clubs. He pulled Jim Carrey out of open-mic obscurity, gave dozens of other comics their big breaks and made an astounding contribution to the widely held belief that ...
Stebbins begins with a history of stand-up comedy, giving vital background about the industry as it emerged and flourished in the United States and subsequently developed into a popular form of entertainment in Canada. He deals with the nature of comic performance in comedy rooms - cabarets designed specifically for stand-up comedy - and examines the career of the comic: how people become interested in comedy, how they progress as amateurs, how they survive on the road and how, sometimes, they become headliners and later writers for film and television. He also discusses the business of comedy: booking agents, comedy chains such as Yuk-Yuk's, room managers, and the comics themselves as entrepreneurs. As the first comprehensive study of a growing phenomenon, The Laugh-Makers will interest sociologists of humour and sociologists of occupations and will contribute to our understanding of Canadian popular culture.
The Canadian media system, which in many respects is this society's "meeting ground"its public squareis in the midst of a profound shift away from the foundations on which it has rested comfortably for decades. The publicly financed Canadian Broadcasting Corporation, long the backbone of the broadcasting system, is threatened by budget cuts and by technological change. The newspaper industry has fallen into the hands of a few powerful individuals. Huge global corporations and a vast communications revolution are dramatically altering the nature of news and entertainment. This book argues that unless action is taken these changes will narrow our access to the information we need as citizens and damage our capacity to communicate with each other and reflect on ourselves as a community. Power and Betrayal in the Canadian Media is a sweeping exploration of the Canadian media system and the impact it has on Canadian society, politics, and culture.
Museums and cultural centres play an important role in the re-emergence of cultural autonomy in indigenous societies. The May 1994 symposium, Curatorship: Indigenous Perspectives in Post-Colonial Societies, examined the realignment of relationships between indigenous and non-indigenous peoples of the Commonwealth in the context of traditional museum practices. It supported the right of Indigenous peoples to control the management of their cultural heritage and underlined the need for redefining museum models.
This sampling of the work of J.M.S. Careless in the area of Canadian historical studies was selected by the eminent scholar himself, and represents much of his finest work. The collection spans the years from 1940 to 1990 in the long and distinguished career of one of Canada’s best-known historians. In Careless’s own words, History is dated. Its very claim is that the past does not fade into nothing but continues to matter, whether or not the purely present-minded are able to recognize that basic fact. These essays cover the main lines of Careless’s career in Canadian scholarship. The collection is divided into four general subject areas each covering a main preoccupation in a distinguished career of over forty years. The first section concentrates on the earliest theme in his writing, George Brown and his times. The second centres on exploring various aspects of frontierism and metropolitanism in Canadian history. The third part deals with cities and regions focusing particularly on the West and nineteenth century Ontario. The final section picks up the threads of other themes including limited identities Canada and multiculturalism.
How to prevent the enemies of democracy from using its freedoms to attack its existence
A collection of over seventy gripping personal accounts of past and present Canadian experiences and events that can be regarded as supernatural or paranormal.
This volume discusses the autobiographical inclination in Canadian literature, exploring works by such writers as Alice Munro, W.O. Mitchell, Michael Ondaatje, John Glassco, and Susanna Moodie. Others works, including the oral memoirs of a Métis, an Inuit's account as being civil servant in Ottawa, and the autobiographical writings of pioneer women and French missionaries are examined to show the depth and breadth of this tradition in Canada. These texts act as starting points for an in depth look at the relationships between autobiography, biography and fiction in Canadian literature. Published in English.
In this book, Stanley Grenz presents the central tenets of Christian faith clearly and concisely, answering the most commonly asked questions: Why belive at all? Which God? Who is Jesus and what did he do? What am I searching for?
"Selected papers from the sixth biennial conference of the International Council for Canadian Studies held in Ottawa in May 2008"--Introd.