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Some People Are Trains
'you need to be a warrior right now,especially in Wetherspoon's where you're slightly scaredto take a pissand for comfort you search 'Mudlarking' on your phone,as you squat in the cubicle with one footpressed hard against the doorin case someone should come inand realise what you are.' Jackson Phoenix Nash is an essential new poetic voice. Funny, tragic, deeply lived, his poems snap you wide awake. 'There is an artful balance of humour and melancholy that makes these poems into a gorgeously unforgettable experience for the reader. Jackson's poetry embodies both trans joy and trans vulnerability in such a candid and heartfelt way that it leaves a beautiful mark on the mind.' Golnoosh Nour 'This collection is essential reading: powerful, arresting, brave, heartbreaking and funny. Jackson's 'glissando' journey from 'geezerbird' through 'decomposing girlhood' and 'premature elation' to 'phoenix' is told with wry humour, deft imagery and open-hearted candour. It ought to be on every school syllabus.' Maggie Butt
Unruly Blood
'the song soil sweat of it knowing nothing ofa binary bondage a bountiful mess of myself everything under the sun is changing all thetime all my skin soft lovers flocking to the river' Olivia Douglass' new pamphlet takes us into the shape-shifting experiences of young selfhood, family and what it means to be between worlds. Douglass' poetry is like a strong shot of the good stuff, an irresistible introduction to this multi-talented artist. 'The poems of Unruly Blood are careful, dangerous, sparse; full. Each space held within it sings as much as its words do, its every phrase simmers first before spilling over with untold possibility.' Victoria Adukwei Bulley 'An artist of the body, in Unruly Blood, Douglass transmits physical sensation to the page with rapturous fluidity. Expressive of the joy and pain of every kind of love, their work sings with exciting originality.' Erica Wagner 'Olivia Douglass is a new, clear voice and these are deep, intriguing, dangerous poems.' Brian Eno
Oi You Lot
'The sky belongs to everybody and everybody belongs to the sky. When the genie comes out, wish for late busesand missed trains, and beers on benches,because when someone is gone, they are gone.' Kareem Parkins-Brown's highly-anticipated pamphlet is an audacious and richly plural celebration of friends and selves, present and otherwise. In Parkins-Brown's hands, language bends like an illusionist's spoon – a dazzling, fisheye-lens distortion of daily grief, absurdity and communion – while reminding us always that the trick is to carry on living. 'Kareem Parkins-Brown's excellent pamphlet is like a funeral held in a bouncy castle: the line-breaks slip on their own tears, jumping mourners get bruised by their collisions and the laughing starts to sound a lot like crying.' Caroline Bird 'I have been waiting for this book for years. There's no voice like Kareem Parkin-Brown's. Sacred and profane, these are critical, kinetic poems for, and of, right now.' Rachel Long 'Kareem Parkins-Brown is one of the most beloved wordsmiths on the London poetry circuit. 'Oi You Lot' will show its readers why.' Raymond Antrobus
Impossible Heat
'these basements that taught me to breathe;my body happening in the space between moonlight &the leather straps wrapped round an old dyke's wristgender split open like a crass piñata on the sticky floor' Ciara Maguire's poems explore the bright fields and dark corners of love. They are heartbreaking, sexy and addictive. 'Impossible Heat is a work of claustrophobia, heat, and longing. Sexual ideation extends from the mind of the speaker to colour and consume everything. Long lines and rich cadences hold the reader in a vice, just as the speaker is offered no reprieve from her own intensity of feeling. Amidst the erotic, there is a profound hopelessness that doesn't stop the poems being witty...
Report
Referred to as the Kerner Commission Report.
Green
'My mother was an oak treemy dad a garage mechanicMy father was a field of wheatmy mother the Prime MinisterMy mother was an innkeeperand my father a lonely cactus...' Suzannah Evans' new pamphlet introduces us to Green, half human, half angry nature spirit. Green serves as a stunt double for our own rage and complicity in nature's destruction. He shows us nature's delights so we may mourn their loss more deeply. 'In this delicious mini-biography of the mythic figure, Suzannah Evans has conjured up a Green Man – now modishly monikered 'Green' – who is witness, listener, accountant, cheerleader, of all and every aspect of nature. An inveterate listicle maker, he can't help but nag us unti...
Horrifying Children
Horrifying Children examines weird and eerie children's television and literature via critical analysis, memoir and autoethnography. There has been an explosion of interest in the impact of children's television and literature of the late twentieth century. In particular, the 1970s, '80s and '90s are seen as decades that shaped a great deal of the contemporary cultural landscape. Television of this period dominated the world of childhood entertainment, drawing freely upon literature and popular culture, like the Garbage Pail Kids and Stranger Things, and much of it continues to resonate powerfully with the generation of cultural producers (fiction writers, screenwriters, directors, musicians...
Report of the National Advisory Commission on Civil Disorders
Referred to as the Kerner Commission Report.
