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Organ, Volume 3 of the Encyclopedia of Keyboard Instruments, includes articles on the organ family of instruments, including famous players, composers, instrument builders, the construction of the instruments and related terminology. It is the first complete reference on this important family of keyboard instruments that predated the piano. The contributors include major scholars of music and musical instruments from around the world.
Originally published in 1966, the Reeseschrift remains one of the most significant collections of musicological writings ever assembled. Its fifty-six essays, written by some of the greatest scholars of our time, range chronologically from antiquity to the 17thcentury and geographically from Byzantium to the British Isles. They deal with questions of history, style, form, texture, notation, and performance practice.
The Encyclopedia of Organ includes articles on the organ family of instruments, including famous players, composers, instrument builders, the construction of the instruments, and related terminology. It is the first complete A-Z reference on this important family of keyboard instruments. The contributors include major scholars of music and musical instrument history from around the world.
Russell Saunders, professor of organ at the Eastman School of Music, died suddenly and unexpectedly on December 6, 1992. He was generally acknowledged to be the foremost teacher of organ in the United States, if not the world, and a most important link between the worlds of scholar and performer. This volume, planned by his colleagues as a Festschrift in honor of his seventieth birthday, is now a memorial.
Because it has always represented a rich collaboration of the music, art, architecture, handicraft and science of its day, the organ, more than any other instrument, continues to reflect the spirit of the age in which it was built. The Organ as a Mirror of its Time, the first book to consider this instrument's historical and cultural significance, reflects the efforts of twenty leading scholars of the organ. The book chronicles the history of six organs in Scandinavia and Northern Germany, at least one specimen for every century from 1600 to the present. By considering their original contexts and their histories since they were built, as well as the extraordinary coincidences that link them together, the book offers a unique perspective on the cultural history of northern Europe. A CD with appropriate repertoire played on each of the six instruments accompanies the book.
Beiträge teilweise in deutscher, teilweise in englischer und teilweise in französischer Sprache ; Zusammenfassungen in deutsch, englisch und französisch ; Literaturangaben
The Harpsichord and Clavichord, An Encyclopedia includes articles on this family of instruments, including famous players, composers, instruments builders, the construction of the instruments, and related terminology. It is the first complete reference on this important family of keyboard instruments. The contributors include major scholars of music and musical instrument history from around the world. It completes the three-volume Encyclopedia of Keyboard Instruments.
First Published in 1988. This is Volume 5 of seven in the Musicology: A Book Series. Witnesses and Scholars, is a collection studies in musical biography. The series covers a creative range of musical topics, from historical and theoretical subjects to social and philosophical studies. Volumes thus far published show the extent of this broad spectrum. disciplinary studies, ethnomusicological works, and performance analyses. With this series, it is the aim to expand the field and definition of musical exploration and research.
Launched in 1995, Bach Perspectives has become the premier English-language serial book series dedicated to cutting-edge Bach scholarship. The University of Illinois Press now offers the first four volumes in open access editions available for free to all interested readers. The fourth volume of Bach Perspectives analyzes J. S. Bach’s orchestral works, especially his concertos, and the interpretation and performance of his music in general. The diverse contributors come from the fields of performance, organology, music theory, and music history, and their expertise across multiple areas provides an interdisciplinary perspective to their chapters. Contributors: Gregory G. Butler, John Butt, John Koster, Alfred Mann, Mary Oleskiewicz, William Renwick, David Schulenberg, Jeanne Swack, and Paul Walker
Music at Hand shows how sound, action, and perception are connected in instrumental performance, asking how this integration affects listening, improvisation, and composition. Traversing disciplinary boundaries and diverse musical styles, this innovative book analyzes forms of musical experience that are both embodied and conditioned by technology.