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Deals with the philosophical implications of natural science in the various humanistic disciplines during the 17th, 18th, and 19th centuries. Remarkable in combining and relating numerous disparate disciplines in the arts and sciences.
Preface: Natural products chemistry has a long history, and could be regarded as having its roots in the use of many kinds of herbal mixtures as crude drugs in traditional medicine. Systems of traditional medicine have been practiced in China and Japan for thousands of years, and virtually all regions of the world have used natural materials to treat human disease. It was clear that many plants, herbs, etc. contain components with powerful biological activities. The dawn of modern natural products chemistry began with the isolation of the active component, morphine, from opium. Subsequently, various alkaloids were isolated from medicinal plants and employed clinically. The discovery and the ...
Traces the fascinating history of scientific film during the late nineteenth and early twentieth centuries and shows that early experiments with cinema are important precedents of contemporary medical techniques such as ultrasound.
Re-examining English Romanticism through Hegel's philosophy, this book outlines and expands upon Hegel's theory of recognition. Deakin critiques four canonical writers of the English Romantic tradition, Coleridge, Wordsworth, P.B. Shelley and Mary Shelley, arguing that they, as Hegel, are engaged in a struggle towards philosophical recognition.
"What is art history? The answer depends on who asks the question. Museum staff, academics, art critics, collectors, dealers and artists themselves all stake competing claims to the aims, methods, and history of art history. Dependent on and sustained by different - and often competing - institutions, art history remains a multi-faceted field of study. Art History and Its Institutions focuses on the professional and institutional formation of art history, showing how the discourses that shaped its creation continue to define the field today. Grouped into three sections, articles examine the sites where art history is taught and studied, the role of institutions in conferring legitimacy, the relationship between modernism and art history, and the systems that define and control it. From museums and universities to law courts and photography studios, the contributors explore a range of different institutions, revealing the complexity of their interaction and their impact on the discipline of art history." --BOOK JACKET.
Reprint of the original, first published in 1876.
Reprint of the original, first published in 1876.
John Adam Rausch (1711-1786) immigrated to Pennsylvania in 1736. He married Susannah in about 1740. They had eight children. Descendants and relatives lived mainly in Pennsylvania and Ohio.
Between a Rock and a Hard Place is set in The Netherlands during World War II. Jacob van Noorden is a military policeman with a wife and two children, and a third on the way, just assigned his first job as chief of a crew in a rural town, close to the German border. When the German army invades and moves through his town, Jacob and his crew have no defense. They can only watch the tanks rumble by without stopping. Jacob is forced to deal with the increasingly disastrous events of the Nazi regime' s occupation. He learns that in the end that every action he takes, no matter how well-intentioned, has enormous, long-lasting consequences to those around him.