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The Abstract Impulse
Comprised of nearly fifty paintings, sculptures and works on paper, The Abstract Impulse highlights artists in such critical movements as Abstract Expressionism, Minimalism, and Op Art. Artists who are included are such canonical figures as Robert Motherwell, Jasper Johns, Helen Frankenthaler, and Robert Mangold among others. This publication, together with its coinciding exhibition, seeks to unveil the pluralistic ways in which abstraction developed after 1950, which will be revealed by the grouping of the works stylistically and thematically into three general sections: gesture, geometry, and introspection.
Rome: Continuing Encounters between Past and Present
Few other cities can compare with Rome's history of continuous habitation, nor with the survival of so many different epochs in its present. This volume explores how the city's past has shaped the way in which Rome has been built, rebuilt, represented and imagined throughout its history. Bringing together scholars from the disciplines of architectural history, urban studies, art history, archaeology and film studies, this book comprises a series of studies on the evolution of the city of Rome and the ways in which it has represented and reconfigured itself from the medieval period to the present day. Moving from material appropriations such as spolia in the medieval period, through the carto...
City of Echoes
From a bold new historian comes a vibrant history of Rome as seen through its most influential persona throughout the centuries: the pope. Rome is a city of echoes, where the voice of the people has chimed and clashed with the words of princes, emperors, and insurgents across the centuries. In this authoritative new history, Jessica Wärnberg tells the story of Rome’s longest standing figurehead and interlocutor—the pope—revealing how his presence over the centuries has transformed the fate of the city of Rome. Emerging as the anonymous leader of a marginal cult in the humblest quarters of the city, the pope began as the pastor of a maligned and largely foreign flock. Less than 300 yea...
Florence
Each year, millions of visitors travel to Florence to admire the architectural marvels of this famous Renaissance city. In this compact yet comprehensive volume, architect and architectural historian Richard J. Goy offers a convenient, accessible guide to the city’s piazzas, palazzos, basilicas, and other architectural points of interest, as well as pertinent historical details regarding Florence’s unique urban environment. Clearly laid out and fully illustrated, this handbook is designed around a series of expertly planned walking tours that encompass not only the city’s most admired architectural sites, but also its lesser-known gems. Maps are tailored to each walking tour and provide additional references and insights, along with introductory chapters on the city’s architectural history, urban design, and building materials and techniques. Featuring a complete bibliography, glossary of key terms, and other useful reference materials, Goy’s guide will appeal both to travelers who desire a greater architectural context and analysis than that offered by a traditional guide and to return visitors looking to rediscover Florence’s most enchanting sites.
Luxflux Prototype arte contemporanea Anno I, n. 1-2-3/2003
v EDITORIALE v Fratture/Aperture v ART IN THEORY v L'etica dell'operare artistico in un dialogo con Jacopo Benci v Ambiguïtas in Sükran Moral v REGIONES v Tomás Ochoa stratega della memoria (della ribellione impossibile) v Cina contemporanea: ufficialità e clandestinità dell'arte v Hangzou Cina v Il compleanno di Saddam Hussein v PROTOCOLLO CRITICO v New Criticism: i polinucleati v PHOTAGE v Pro e contro di una sparizione non riuscita v LUOGHI DELL'ARTE v Restaurants Spoerri au Jeu de Paume v Palais de Tokyo, luogo di creazione? Dieci domande a Marc Sanchez v Hiroshi Sugimoto: Architectures v Mondi di Piero Mottola v L'urgenza dell'arte in una Biennale in frantumi v La Biennale: estetica e comfort v PARTITURE v S 2F M (Studio di fonologia musicale di Firenze) Musica programmata v Otolab! Quando a volte i mondi si toccano v
Cinematic Rome
This collection is based on the papers given at a conference at the University of Nottingham in September 2005. The conference was intended to explore Rome as a site for the making of films, and also its changing role as a setting for cinematic narrative. The resulting collection of essays will contribute to the burgeoning genre of studies on cinema and the city, by focusing on one particularly rich case study both for the nature of the films discussed, and the complexities of the city and its representation. The volume will also reach beyond film studies in so far as the subject draws on and informs other approaches to Rome's cultural history (geography, art history, urban history, classics...
The Hills of Rome
Rome is 'the city of seven hills'. This book examines the need for the 'seven hills' cliché, its origins, development, impact and borrowing. It explores how the cliché relates to Rome's real volcanic terrain and how it is fundamental to how we define this. Its chronological remit is capacious: Varro, Virgil and Claudian at one end, on, through the work of Renaissance antiquarians, to embrace frescoes and nineteenth-century engravings. These artists and authors celebrated the hills and the views from these hills, in an attempt to capture Rome holistically. By studying their efforts, this book confronts the problems of encapsulating Rome and 'cityness' more broadly and indeed the artificiality of any representation, whether a painting, poem or map. In this sense, it is not a history of the city at any one moment in time, but a history of how the city has been, and has to be, perceived.
The Medici
The Medici are probably the best-known and most illustrious Italian family - one that produced two popes, two Queens of France and such a multi-faceted and extraordinary figure as Lorenzo the Magnificent. Their name is inextricably linked to the history of Florence. The city itself remains a living symbol of the peninsula's most splendid epoch. When people around the world think of Italy, they usually think of Florence and Tuscany, and of the priceless art collections that hold, to this day, an irresistible fascination for millions of visitors. This concise and brilliant book reads like a piece of journalism in the best sense of the term. With an entirely original and non-provincial approach, the author traces the dazzling rise and fall of this dynasty, from the first gonfaloniere to the last Grand Duke, tirelessly bringing out its historical links with Florence, Italy and Europe. The many illustrations, clarified by ample captions, do not add up to a mere gallery of official portraits; rather, the
