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The Theatre of Shelley
  • Language: en
  • Pages: 310

The Theatre of Shelley

Based on the author's thesis (Ph.D., Anglia Ruskin University).

Percy Bysshe Shelley
  • Language: en

Percy Bysshe Shelley

Today, Percy Bysshe Shelley is an emblem of the Romantic movement and one of the lights of English culture--his poems memorized by schoolchildren, his life honored with a memorial in Westminster Abbey's Poets' Corner. That wasn't always the case, however. In his own day, Shelley was widely loathed, seen as an immoral atheist and a traitor to his class for his revolutionary politics. His work was damned as well, receiving scathing reviews rooted as much in disapproval of his politics and personal life as in the verse itself. That's the Shelley that Jacqueline Mulhallen brings to life in this accessible, political biography: the Shelley who, though writing when the working class was in its inf...

Poems by Eva Gore-Booth
  • Language: en
  • Pages: 14

Poems by Eva Gore-Booth

  • Type: Book
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  • Published: 2019
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  • Publisher: Unknown

None

Why Would Feminists Trust the Police?
  • Language: en
  • Pages: 230

Why Would Feminists Trust the Police?

  • Type: Book
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  • Published: 2024-06-11
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  • Publisher: Verso Books

A tangled history of feminism’s complicity and resistance Every week it seems there is a fresh scandal involving abhorrent, racist, misogynist behaviour by police officers. Yet these are the very people women are supposed to approach for help when faced with violence. And many feminists, hoping to use the criminal justice system to protect women, fight for stronger laws and longer sentences for those who harm them. Why Would Feminists Trust the Police? traces the history of British feminism’s alliances and struggles with the law and its enforcers. Drawing on the legacy of Black British feminism, Leah Cowan reminds us of the vibrant and creative alternatives envisioned by those who have long known the truth: the police aren’t feminist, and the law does not keep women safe.

The Censorship of Eighteenth-Century Theatre
  • Language: en
  • Pages: 281

The Censorship of Eighteenth-Century Theatre

A far-reaching analysis of censorship's profound impact on Georgian theatrical culture and its development across the long eighteenth century, showcasing how the analysis of plays can be helpful for historical research.

Romantic Actors, Romantic Dramas
  • Language: en
  • Pages: 237

Romantic Actors, Romantic Dramas

This book reinterprets British dramas of the early-nineteenth century through the lens of the star actors for whom they were written. Unlike most playwrights of previous generations, the writers of British Romantic dramas generally did not work in the theatre themselves. However, they closely followed the careers of star performers. Even when they did not directly know actors, they had what media theorists have dubbed "para-social interactions" with those stars, interacting with them through the mediation of mass communication, whether as audience members, newspaper and memoir readers, or consumers of prints, porcelain miniatures, and other manifestations of "fan" culture. This study takes a...

Pantomime
  • Language: en
  • Pages: 1320

Pantomime

  • Type: Book
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  • Published: 2019-08-19
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  • Publisher: Vosuri Media

This book offers perhaps the most comprehensive history of pantomime ever written. No other book so thoroughly examines the varieties of pantomimic performance from the early Roman Empire, when the term “pantomime” came into use, until the present. After thoroughly examining the complexities and startlingly imaginative performance strategies of Roman pantomime, the author identifies the peculiar political circumstances that revived and shaped pantomime in France and Austria in the eighteenth century, leading to the Pierrot obsession in the nineteenth century. Modernist aesthetics awakened a huge, highly diverse fascination with pantomime. The book explores an extraordinary variety of mod...

Shelley's Radical Stages
  • Language: en
  • Pages: 218

Shelley's Radical Stages

  • Type: Book
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  • Published: 2016-03-31
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  • Publisher: Routledge

Dana Van Kooy draws critical attention to Percy Bysshe Shelley as a dramatist and argues that his dramas represent a critical paradigm of romanticism in which history is 'staged'. Reading Shelley's dramas as a series of radical stages - historical reenactments and theatrical reproductions - Van Kooy highlights the cultural significance of the drama and the theatre in shaping and contesting constructions of both the sovereign nation and the global empire in the post-Napoleonic era. This book is about the power of performance to challenge and reformulate cultural memories that were locked in historical narratives and in Britain's theatrical repertoire. It examines each of Shelley's dramas as a...

The Complete Poetry of Percy Bysshe Shelley
  • Language: en
  • Pages: 1009

The Complete Poetry of Percy Bysshe Shelley

  • Type: Book
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  • Published: 2021-05-04
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  • Publisher: JHU Press

A landmark event in literary scholarship, the publication of the Johns Hopkins edition of The Complete Poetry of Percy Bysshe Shelley makes available for the first time critically edited clear texts of all poems and translations that Shelley published or circulated among friends, as well as diplomatic texts of his significant incomplete poetic drafts and fragments. Edited upon historical principles by Donald H. Reiman and Neil Fraistat, the multi-volume edition will offer more poems and fragments than any previous collective edition, arranged in the order of their first circulation. These texts are followed by the most extensive collations hitherto available and detailed commentaries that de...

Mary Shelley and Europe
  • Language: en

Mary Shelley and Europe

Mary Shelley in Europe studies the European background of Mary Shelley's works and their reception. This two-fold approach is inspired by Mary Shelley dans son oeuvre, Jean de Palacio's seminal work that has remained untranslated in English. The essays in the volume bring new insights on editing and establishing the canon of Mary Shelley's works; they investigate her interest in European literature, history and landscape; and they highlight her unique partnership with the poet Percy Bysshe Shelley. In considering Mary Shelley's European and world-wide reception the authors adopt an interdisciplinary approach and explore both the 'Frankenstein myth' and the 'Mary Shelley myth' in drama, contemporary media and visual culture. At a time when literary studies adopt a transnational perspective and focus on hybrid identities, these essays show that Mary Shelley's work appears surprisingly contemporary.