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They had more in common than just a scream, whether they faced Dracula, Frankenstein's Monster, the Mummy, Dr. Jekyll, Mr. Hyde, King Kong, the Wolf Man, or any of the other legendary Hollywood monsters. Some were even monsters themselves, such as Elsa Lanchester as the Bride, and Gloria Holden as Dracula's Daughter. And while evading the Strangler of the Swamp, former Miss America Rosemary La Planche is allowed to rescue her leading man. This book provides details about the lives and careers of 21 of these cinematic leading ladies, femmes fatales, monsters, and misfits, putting into perspective their contributions to the films and folklore of Hollywood terror--and also the sexual harassment, exploitation, and genuine danger they faced on the job. In a previously unpublished account, Bride of Frankenstein's Anne Darling remembers when, at age 17, she was humiliated on-set by director James Whale over the color of her underwear. Filled with anecdotes and recollections, many of the entries are based on original interviews, and there are numerous old photographs and movie stills.
Many of the stars of silent westerns were young horse wranglers who left the open fields to make extra money bulldogging steers and chasing Indians around arenas in traveling Wild West shows. They made their way to Hollywood when the popularity of the Wild West shows began to decline, found work acting in action-packed silent westerns, and became idols for early moviegoers everywhere. More than 100 of those cowboys who starred in silent westerns between 1903 and 1930 are highlighted in this work. Among those included are Art Acord, Broncho Billy Anderson, Harry Carey, Fred Cody, Bob Custer, Jack Daugherty, William Desmond, William Duncan, Dustin Farnum, William Farnum, Hoot Gibson, Neal Hart, William S. Hart, Jack Holt, Jack Hoxie, Buck Jones, J. Warren Kerrigan, George Larkin, Leo Maloney, Ken Maynard, Tim McCoy, Tom Mix, Pete Morrison, Jack Mower, Jack Perrin, William Russell, Bob Steele, Fred Thompson, Tom Tyler, and Wally Wales, to name just a few. Biographical information and a complete filmography are provided for each actor. Richly illustrated with more than 300 movie stills.
Republic Pictures Corporation, began as a motion picture laboratory in 1915. By 1935, Republic had become a studio and released its first movie, Westward Ho! starring a young John Wayne, who would stay with Republic for the next 17 years. Republic would go on to produce highly successful Westerns starring singing cowboys Gene Autry and Roy Rogers as well as serial adventure series. The studio cranked out so many exciting (not to mention money-making) serials that it became known as "The Thrill Factory." Occasionally, Republic would produce and distribute "A" features, such as Macbeth and The Quiet Man, but it was the "B" Westerns and adventure serials that they knew best how to produce and market. Until its demise in 1959, Republic fed hungry moviegoers with a steady diet of "B" Westerns, serials, dramas, series pictures and musicals. The Republic Pictures Checklist provides a full listing of Republic releases, with plot synopses, release dates, alternate titles, chapter titles and awards. All of Republic's output, including documentaries and training films, is included.
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In Europe the war was already old, but while feeding nickels into roadhouse jukeboxes, the Presidential conventions, where the biggest question would be whether That Man in the White House would shatter yet another precedent and run for a third term. To many Americans, there seemed little else worth worrying about. As with all time periods, the 1940s had a set of specific fads that were popular around the country. Read this book and find out about the films of this decade and more...
Dracula and Frankenstein's Monster are horror cinema icons, and the actors most deeply associated with the two roles also shared a unique friendship. Bela Lugosi and Boris Karloff starred in dozens of black-and-white horror films, and over the years managed to collaborate on and co-star in eight movies. Through dozens of interviews and extensive archival research, this greatly expanded new edition examines the Golden Age of Hollywood, the era in which both stars worked, recreates the shooting of Lugosi and Karloff's mutual films, examines their odd and moving personal relationship and analyzes their ongoing legacies. Features include a fully detailed filmography of the eight Karloff and Lugosi films, full summaries of both men's careers and more than 250 photographs, some in color.
As Dracula (1931) and Frankenstein (1931) ushered in the golden age of horror films in the United States, studios and distributors were faced with a major problem in their number one overseas market: the British Board of Film Censors (BBFC) were demanding extensive cuts, enforcing age restrictions, and banning outright many of Hollywood's horror movies. The issue most often used to limit the showing of horror films was their "unsuitability" to children. With that in mind, the BBFC developed specific film codes--the "A" (for adults) and the "H" (for horrific), both of which restricted viewing to those 16 or older--and then applied them liberally. This work examines how and why horror films were censored or banned in the United Kingdom, and the part these actions played in ending Hollywood's golden age of horror.
This eclectic overview of horror cinema offers up a collection of horror films for practically any occasion and literally every day of the year. For example, the author recommends commemorating United Nations Day (October 24) with a screening of The Colossus of New York, whose startling climax takes place at the U.N. Building. Each day-by-day entry includes the movie title, production year, plot summary and critique, along with a brief explanation of how the film fits into the history of that particular day and interesting anecdotes on the film's production.
Almost all the CLASSIC HOLLYWOOD MOVIES discussed in this book are currently available on DVD. Many are sold by specialist stores such as Oldies. And now that vintage titles are being pressed on demand, theoretically they will never go out of print! However, an attempt has been made to include some of the classics that are not so well-known, as well as those that are more frequently aired on TV or are prominently featured in retail and mail order stores. Here, for example, are a few of the movie titles that begin with the letter "S" Seven Keys to Baldpate (1917), Seven Keys to Baldpate (1947), She Goes To War (1929), the Shining Adventure (1925), the Ship of Lost Men (1929), Show-Off (1926), Silent Enemy (1930), Sky Bride (1932), Sky High (1922), Slums of New York (1932), the Smart Set (1928), Son of the Gods (1930), Speedway (1929), Spite Marriage (1929), the Squall (1929), Square Shoulders (1929), Stranger in Town (1932), Strictly Unconventional (1930), Sunset Trail (1932), Svengali (1931).