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While seventeenth-century London may immediately evoke images of Shakespeare and thatched roof-tops and nineteenth-century London may call forth images of Dickens and cobblestones, a popular conception of eighteenth-century London has been more difficult to imagine. In fact, the immense variety of textual traditions, metaphors, classical allusions, and contemporary contexts that eighteenth-century writers use to illustrate eighteenth-century London may make eighteenth-century London seem more strange and foreign to twenty-first-century readers than any of its other historical reincarnations. Indeed, "imagining" a familiar, unified London was precisely the task that occupied so many writers i...
Despite Burlington's fame, surprisingly little has been written about him. Lord Burlington: Architecture, Art and Life presents a modern reassessment of his career, while setting him in a broader context than has usually been the case, to reflect both his interests outside architecture and to present his character in the round. Architecture is given pride of place, but his other interests, in land-owning, politics and literature, are also examined, throwing much new light on an exceptionally significant and attractive figure.
The primacy of experts and expertise in current fields of public policy, governance and non-governmental organizations has accompanied increasing confusion on the foundations of their practices and the adequacy of their methods. Fields of Expertise clarifies the complex heritage of experts by exploring their relationship with legal, political and administrative powers from a comparative historical and interdisciplinary perspective. Specifically, the authors offer case studies on expert procedures in the two capital cities of Paris and London since 1600 in the essential areas of risk management, medical procedures, economic policy, and administrative reform. In doing so, they provide insight ...
How sound and its atmospheres transform architecture Acoustic atmospheres can be fleeting, elusive, or short-lived. Sometimes they are constant, but more often they change from one moment to the next, forming distinct impressions each time we visit certain places. Stable or dynamic, acoustic atmospheres have a powerful effect on our spatial experience, sometimes even more so than architecture itself. This book explores the acoustic atmospheres of diverse architectural environments, in terms of scale, program, location, or historic period—providing an overview of how acoustic atmospheres are created, perceived, experienced, and visualized. The contributors explore how sound and its atmosphe...
In Kenneth Grahame's The Wind in the Willows: A Children's Classic at 100, editors Jackie C. Horne and Donna R. White have assembled a collection of essays that look at the book in terms of class, gender and nationality, as well as its construction of heteronormative masculinity, the very English novel's appeal to Chinese readers, and the meaning of a text in which animals can be human-like, pets, servants, and even food.
In the last few decades the scholarship on women’s roles and women’s worlds in the Atlantic basin c. 1400-1850 has grown considerably. Much of this work has understandably concentrated on specific groups of women, women living in particular regions or communities, or women sharing a common status in law or experience. Women in Port synthesizes the experiences of women from all quarters of the Atlantic world and from many walks of life, social statuses, and ethnicities by bringing together work by Atlantic world scholars on the cutting edge of their respective fields. Using a wide-ranging set of case studies that reveal women's richly textured lives, Women in Port helps reframe our understanding of women's possibilities in the Atlantic World. Contributors are Gayle Brunelle, Jodi Campbell, Douglas Catterall, Alexandra Parma Cook, Noble David Cook, Gordon DesBrisay, Júnia Ferreira Furtado, Sheryllynne Haggerty, Philip Havik, Stewart Royce King, Ernst Pijning, Ty Reese, Dominique Rogers, Martha Shattuck, Kimberly Todt, and Natalie Zacek.
Garden and Grove is a pioneering study of the English fascination with Italian Renaissance gardens. John Dixon Hunt studies reactions of English visitors in their journals and travel books to the exciting world of Italian gardens: its links with classical villas, with Virgil and farming, with Ovid and metamorphosis, its association with theater, its variety, its staged debates between art and nature. Then he looks at what English visitors made of these Italian garden experiences upon their return home and at how they created Italianate gardens on their estates, on their stages, and in their poems. With a wealth of literary and visual materials previously untapped, Hunt provides a new history of an intriguing and vital phase of English garden history. Not only does he suggest the centrality of the garden as a focus for many social, aesthetic, political, and philosophical ideas but he argues that the so-called English landscape garden before "Capability" Brown, in the late eighteenth century, owed much to a long and continuing emulation of Italian Renaissance models.
During a period when the idea of fatherhood was in flux and individual fathers sought to regain a cohesive collective identity, debates related to a father’s authority were negotiated and resolved through competing documents. Melissa Shields Jenkins analyzes the evolution of patriarchal authority in nineteenth-century culture, drawing from extra-literary and non-narrative source material as well as from novels. Arguing that Victorian novelists reinvent patriarchy by recourse to conduct books, biography, religious manuals, political speeches, and professional writing in the fields of history and science, Jenkins offers interdisciplinary case studies of Elizabeth Gaskell, George Meredith, William Makepeace Thackeray, George Eliot, Samuel Butler, and Thomas Hardy. Jenkins’s book contributes to our understanding of the part played by fathers in the Victorian cultural imagination, and sheds new light on the structures underlying the Victorian novel.
This volume re-evaluates the position of William Morris regarding contemporary perspectives on his artistic and political endeavours. Special emphasis is placed on the concepts and territories that lie in-between, both literally and metaphorically. This “in-between-ess” is the most remarkable quality of Morris, and secures him a unique position among his contemporaries, as well as inspiring new generations of scholars. Paradoxically, however, this aspect also contributes to a certain marginalization of Morris in studies devoted to “Eminent Victorians”. Instead of speaking of ruptures, gaps or lacunas, the point of view adopted here explores the undefined terrenes situated between art...
These pages represent the compendium of a long journey of more than twenty-five years. It would be simplistic to define this journey as exclusively intellectual, because it would be unthinkable without frequent visits to the Middle East, in particular to Turkey, the second Holy Land of Christianity, the ancient Asia Minor of biblical history, with its overwhelming Muslim population today. The fact is that, since many years now, the theme of hospitality has been the subject of numerous publications, studies, contributions and gatherings with protagonists of various opinions and expertise convening to give answers to questions related to the challenge of living together in the complex society ...