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Miró
"Joan Miro (1893-1983) was a key figure in twentieth-century art, and one of the most engaging artists of our time. He left behind a remarkable legacy, a body of work that continues to reach an increasingly wide public today. Now, some ten years after his death, and to mark the centenary of his birth, this sumptuously illustrated volume offers new information and insights into Miro's long and extremely productive career." "Author Jacques Dupin has considerably revised and enriched his original far-reaching study of Joan Miro, published by Abrams in 1962. He has taken into account not only the painter's output during the last two decades of his life, but also a great number of documents disco...
Joan Miró
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Miro (Compact)
Jacques Dupin, esteemed French poet and Miró’s friend and collaborator since 1956, is the ultimate authority on the artist. He has organized numerous exhibitions devoted to the artist, and he presides over the association for the protection of his work.
Lost Beyond Telling
In seeking to give voice to absent things or lost experiences, Richard Stamelman says, modern poetry attempts to give absence a shape. Loss, in his view, is both the cause and the subject of the modern poem. Fittingly, in Lost beyond Telling he formulates and develops what he calls a poetics of loss, with which he frames his treatment of modern French poetry.
The Originality of the Avant-Garde and Other Modernist Myths
Co-founder and co-editor of October magazine, a veteran of Artforum of the 1960s and early 1970s, Rosalind Krauss has presided over and shared in the major formulation of the theory of postmodernism. In this challenging collection of fifteen essays, most of which originally appeared in October, she explores the ways in which the break in style that produced postmodernism has forced a change in our various understandings of twentieth-century art, beginning with the almost mythic idea of the avant-garde. Krauss uses the analytical tools of semiology, structuralism, and poststructuralism to reveal new meanings in the visual arts and to critique the way other prominent practitioners of art and literary history write about art. In two sections, "Modernist Myths" and "Toward Postmodernism," her essays range from the problem of the grid in painting and the unity of Giacometti's sculpture to the works of Jackson Pollock, Sol Lewitt, and Richard Serra, and observations about major trends in contemporary literary criticism.
Miro
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From Rodin to Giacometti
This book is a collection of papers delivered at an international conference in September 1996 at the Scottish National Gallery of Modern Art during a major Giacometti retrospective. The contributors are leading curators, art historians and literature specialists. While the relationship between nineteenth- and twentieth-century painters and writers has been the subject of intense interest in recent years, the parallel relationship between sculptors and writers has been largely neglected. These essays seek to redress the balance by looking at a variety of ways in which the conventional barriers between writing and sculpting were broken down by such pioneering figures as Rodin, Degas, Bourdell...
Postwar Figures of L'ephemere
The question of the relationship between aesthetics and history is reconsidered in this study of these postwar poets. Petterson argues that postwar French poetry is a critical poetry encompassing a vast poetic tradition from poets such as Baudelaire and Rimbaud to Francis Ponge and Paul Celan. The author also shows how the critical writings of Hegel, Heidegger, and Ricoeur (among others) suggest that what he calls postwar poetry's will-to-meaning and its attempt to develop a post-Romantic poetics necessarily questions poetry's ties to philosophical, historical, and political narratives.
