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no. 1. A-E
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The Strange Case of Dr. Mabuse
The Mabuse phenomenon is recognized as an icon of horror in Germany as Frankenstein and Dracula are in the United States. A study of the 12 motion pictures and five books (and some secondary films) that make up the eight decades of adventures of master criminal Mabuse, created by author Norbert Jacques in the best-selling 1922 German novel and brought to the screen by master filmmaker Fritz Lang in the same year. Both on screen and off, the story of Dr. Mabuse is a story of love triangles and revenge, of murder, suicides, and suspicious deaths, of betrayals and paranoia, of fascism and tyranny, deceptions and conspiracies, mistaken identities, and transformation. This work, featuring much information never before published in English, provides an understanding of a modern mythology whose influence has pervaded popular culture even while the name Mabuse remains relatively unknown in the United States.
France Since 1945
The last fifty years have seen immense challenges for the French: constructing a new European order, building a modern economy, searching for a stable political system. It has also been a time of anxiety and doubt. The French have had to come to terms with the legacy of the German Occupation, the political and social implications of the influx of foreign immigrants, the destruction of traditional rural life, and the threat of Anglo American culture to French language and civilization. Robert Gildea's account examines French politics, society, and culture as well as France's role in the world from 1945 to 1995. He looks at France's attempt to recover national greatness after the Second World ...
The French Way
Preface -- Note on anti-Americanism -- America à la mode: the 1980s -- Anti-Americanism in retreat: Jack Lang, cultural imperialism, and the anti-anti-Americans -- Reverie and rivalry: Mitterrand and Reagan-Bush -- The adventures of Mickey Mouse, Coca-Cola, and McDonalds in the land of the Gauls -- Taming the hyperpower: the 1990s -- The French way: society, economy and culture in the 1990s -- The paradox of the fin de siècle: anti-Americanism and Americanization.
Religion
What do we talk about when we talk about "religion"? Is it an array of empirical facts about historical human civilizations? Or is religion what is in essence unpredictable--perhaps the very emergence of the new? In what ways are the legacies of religion--its powers, words, things, and gestures--reconfiguring themselves as the elementary forms of life in the twenty-first century? Given the Latin roots of the word religion and its historical Christian uses, what sense, if any, does it make to talk about "religion" in other traditions? Where might we look for common elements that would enable us to do so? Has religion as an overarching concept lost all its currency, or does it ineluctably retu...
space.time.narrative
Making exhibitions is a collaborative art, producing is a multi-layered unity of ideas and objects, of invention and manifestation, of content and form. However, there is an antagonistic dimension to it, because content and form are traditionally represented by the entirely different realms of curator and designer. Future successful developments in exhibition-making are dependent on whether this gap of antagonism can be bridged. space.time.narrative calls for a paradigmatic shift of focus. It puts forward a unique approach, breaking down traditional barriers and offering a wide-ranging theoretical context, redefining and expanding the parameters and the dynamics of the exhibition-format in t...
Derrida
This biography of Jacques Derrida (1930–2004) tells the story of a Jewish boy from Algiers, excluded from school at the age of twelve, who went on to become the most widely translated French philosopher in the world – a vulnerable, tormented man who, throughout his life, continued to see himself as unwelcome in the French university system. We are plunged into the different worlds in which Derrida lived and worked: pre-independence Algeria, the microcosm of the École Normale Supérieure, the cluster of structuralist thinkers, and the turbulent events of 1968 and after. We meet the remarkable series of leading writers and philosophers with whom Derrida struck up a friendship: Louis Althu...
Extra-ordinaire
This work is edited by a group of young, Paris-based architects and consists of a photo documentary by the Parisien art photographer Cecile on so-called "normal" interiors in everyday use. This is followed by a documentation on anonymous architecture in Australia, Tasmania and New Zealand.
